公共艺术作为一种社会现象的城市艺术环境

Bingxian U
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引用次数: 0

摘要

研究对象是安装在俄罗斯和欧洲的当代公共艺术作品。研究的主题是西方和俄罗斯各种形式的公共艺术与城市环境的关系的发展趋势。本文的目的是分析美国、西欧和俄罗斯的公共艺术项目,确定它们在城市空间中的位置以及它们对公众意识的影响。由于这项研究本质上是跨学科的,因此其方法涉及使用综合方法。在文章的工作中,运用了现代艺术史的方法,旨在从理论和艺术批评的角度理解公共艺术现象的发展时期。其中一个重要的研究方法是社会文化分析,本文作者考察了西方和俄罗斯公共艺术作品与城市环境之间关系的特征,揭示了它们的历史发展模式及其在现代城市空间中实现的原因。符号学方法使公共艺术品的意义和文化形态得以阐释,这对城市空间的建构具有重要意义。研究材料具有理论和实践意义,可用于研究公共艺术现象的艺术史学家、文化专家、历史学家和哲学家的讲座课程编写、科学研究、材料出版。他以美国、欧洲和俄罗斯艺术家的作品为例,将公共艺术置于历史和文化语境中,证明了安装在城市街区中的艺术品是现代城市环境的一部分,并且融入了视觉艺术的广泛语境,与城市设计和国家区域的特殊性相结合。如果说西方的公共艺术试图解决公民的物质问题,那么俄罗斯的公共艺术艺术家则努力创造一种智力发展和情感体验的氛围。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Public art as a sociological phenomenon of the urban artistic environment
The object of the study is contemporary works of public art installed in Russia and Europe. The subject of the study is the development trends of various forms of Western and Russian public art in its relationship with the urban environment. The purpose of the article is to analyze public art projects presented in the USA, Western Europe and Russia, determining their place in the urban space and their impact on public consciousness. Since this study is interdisciplinary in nature, its methodology involves the use of an integrated approach. In the work on the article, the methods of modern art history were used, aimed at theoretical and art criticism understanding of the period of development of the public art phenomenon. One of the key research methods was a sociocultural analysis, in which the author of the article examines the features of the relationship between Western and Russian public art works with the urban environment, revealing the patterns of their historical development and the reasons for their actualization in the space of a modern city. The semiotic method made it possible to interpret public art objects in terms of their meanings and cultural patterns, which are significant for the construction of urban space. The research materials have theoretical and practical significance and can be used in the preparation of lecture courses, scientific research, publication of materials for art historians, cultural experts, historians and philosophers involved in the study of the phenomenon of public art. Considering public art in a historical and cultural context using the works of American, European and Russian artists as an example, he proves that art objects installed in city blocks are part of the modern urban environment and, having fit into the broad context of visual art, coexist in union with urban design and national the specifics of the region. But if public art in the West tries to solve the material problems of citizens, then Russian artists working in the style of public art strive to create an atmosphere of intellectual development and emotional experience.
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