Synchronistic historical background for Jung-Pauli's modelling of psyche and nature concerning the aquarius myth part I: The aquarius mythologem in the “St. John — St. Andrew” enamel picture of the Holy Crown of Hungary

The paper discusses the presentations of special great works of art to compare their system of "representation" and meaning to the similar identifiable and re-interpreted symbols, imagery and meaning communications in between Jung and Pauli's "imagination and interpretation space". In the first part of the paper we attempt to prove hypothesis of the meaningful synchronicity by the symbolic interpretation of three interrelated, stunningly beautiful and unique images of the apostles on the Holy Crown of Hungary.