{"title":"“既然他们看到了巴黎,你怎么能把他们留在农场呢?”:《超级英雄漫画》中的法国","authors":"Nicolas Labarre","doi":"10.4000/transatlantica.4943","DOIUrl":null,"url":null,"abstract":"Any extensive reading of super hero comics will reveal that the representation of France within the genre borrows mostly from touristic cliches, using the country as a foreign, exotic yet not too disorientating setting. Narrative economy and gradual refinements have led to the creation of a codified, consensual and unrealistic depiction of France, centered mostly on Paris and the Eiffel Tower. However, this efficient codification is not value-free. A study of Justice League Europe, a rare example of super-hero series set in France over a long period reveals that France is consistently depicted as a place of history, while being denied a contemporary significance. The country appears as a fascinating but subordinate neighbor, and this evaluation can in turn be found, albeit in a more elliptic way, in numerous series portraying France only in short episodes. The self-consciousness of modern super hero comics, however, suggests that the notion of representation should be handled with care. The depiction of France in super-hero comics originates in part in the perception of the country in the United States, but it also derives in a significant way from the internal evolutions of the genre.","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"66 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2010-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“How ‘ya gonna keep’em down at the farm now that they’ve seen Paree?”: France in Super Hero Comics\",\"authors\":\"Nicolas Labarre\",\"doi\":\"10.4000/transatlantica.4943\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Any extensive reading of super hero comics will reveal that the representation of France within the genre borrows mostly from touristic cliches, using the country as a foreign, exotic yet not too disorientating setting. Narrative economy and gradual refinements have led to the creation of a codified, consensual and unrealistic depiction of France, centered mostly on Paris and the Eiffel Tower. However, this efficient codification is not value-free. A study of Justice League Europe, a rare example of super-hero series set in France over a long period reveals that France is consistently depicted as a place of history, while being denied a contemporary significance. The country appears as a fascinating but subordinate neighbor, and this evaluation can in turn be found, albeit in a more elliptic way, in numerous series portraying France only in short episodes. The self-consciousness of modern super hero comics, however, suggests that the notion of representation should be handled with care. The depiction of France in super-hero comics originates in part in the perception of the country in the United States, but it also derives in a significant way from the internal evolutions of the genre.\",\"PeriodicalId\":422366,\"journal\":{\"name\":\"Transatlantica : Revue d'Études Américaines\",\"volume\":\"66 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2010-06-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Transatlantica : Revue d'Études Américaines\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/transatlantica.4943\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Transatlantica : Revue d'Études Américaines","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/transatlantica.4943","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
任何对超级英雄漫画的广泛阅读都会发现,法国在这类漫画中的代表性大多来自于旅游的陈词滥调,把这个国家当作一个外国的、充满异国情调的、但又不会太让人迷失方向的国家。叙事经济和逐渐的完善导致了对法国的一种编纂、共识和不现实的描绘,主要集中在巴黎和埃菲尔铁塔上。然而,这种有效的编纂并不是没有价值的。《正义联盟欧洲》(Justice League Europe)是一款罕见的以法国为背景的超级英雄系列游戏,对它的研究表明,法国一直被描绘成一个历史之地,但却被否认具有当代意义。这个国家似乎是一个迷人但从属的邻居,而这种评价反过来又可以在许多只在短情节中描绘法国的电视剧中找到,尽管以一种更简略的方式。然而,现代超级英雄漫画的自我意识表明,表现的概念应该小心处理。超级英雄漫画中对法国的描绘部分源于美国人对这个国家的看法,但在很大程度上,它也源于该类型的内部演变。
“How ‘ya gonna keep’em down at the farm now that they’ve seen Paree?”: France in Super Hero Comics
Any extensive reading of super hero comics will reveal that the representation of France within the genre borrows mostly from touristic cliches, using the country as a foreign, exotic yet not too disorientating setting. Narrative economy and gradual refinements have led to the creation of a codified, consensual and unrealistic depiction of France, centered mostly on Paris and the Eiffel Tower. However, this efficient codification is not value-free. A study of Justice League Europe, a rare example of super-hero series set in France over a long period reveals that France is consistently depicted as a place of history, while being denied a contemporary significance. The country appears as a fascinating but subordinate neighbor, and this evaluation can in turn be found, albeit in a more elliptic way, in numerous series portraying France only in short episodes. The self-consciousness of modern super hero comics, however, suggests that the notion of representation should be handled with care. The depiction of France in super-hero comics originates in part in the perception of the country in the United States, but it also derives in a significant way from the internal evolutions of the genre.