{"title":"Rakhshan Banietemad的社会现实主义艺术:连接现实主义与小说","authors":"Maryam Ghorbankarimi","doi":"10.3366/edinburgh/9781474477611.003.0012","DOIUrl":null,"url":null,"abstract":"This chapter offers a survey of her documentary works in search of a unique social realist approach to filmmaking. The chapter argues that, although Banietemad’s auteurship might be evident in her films through their recurring links and themes, it is in her self-reflexive documentaries that we really see her artistic and critical approach to telling stories about ordinary people in society.","PeriodicalId":404586,"journal":{"name":"ReFocus: The Films of Rakhshan Banietemad","volume":" 19","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-04-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Rakhshan Banietemad’s Art of Social Realism: Bridging Realism and Fiction\",\"authors\":\"Maryam Ghorbankarimi\",\"doi\":\"10.3366/edinburgh/9781474477611.003.0012\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter offers a survey of her documentary works in search of a unique social realist approach to filmmaking. The chapter argues that, although Banietemad’s auteurship might be evident in her films through their recurring links and themes, it is in her self-reflexive documentaries that we really see her artistic and critical approach to telling stories about ordinary people in society.\",\"PeriodicalId\":404586,\"journal\":{\"name\":\"ReFocus: The Films of Rakhshan Banietemad\",\"volume\":\" 19\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-04-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ReFocus: The Films of Rakhshan Banietemad\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474477611.003.0012\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ReFocus: The Films of Rakhshan Banietemad","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474477611.003.0012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Rakhshan Banietemad’s Art of Social Realism: Bridging Realism and Fiction
This chapter offers a survey of her documentary works in search of a unique social realist approach to filmmaking. The chapter argues that, although Banietemad’s auteurship might be evident in her films through their recurring links and themes, it is in her self-reflexive documentaries that we really see her artistic and critical approach to telling stories about ordinary people in society.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
