开放排练室作为一种拓宽通道、消除过程神秘感和打破障碍的方式

Dermot Daly
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引用次数: 0

摘要

进入戏剧行业往往因缺乏经验而受阻。许多戏剧公司都有一个明确的目标,即扩大参与,以便充分代表他们所工作的社区和社会。本研究评估了开放排演室的通道如何鼓励和加速变革,以及鼓励多种常规边缘化的声音说话和被听到。它试图询问开放排练室是否对参与者、公司和整个行业有好处。在这种情况下,开放排练室意味着方便那些不直接参与制作的人观察。在初步的小规模观察提议之后,向那些被邀请和/或积极参与观察提议的人分发了一份调查问卷,其中包括从回应和其他相关背景文献中得出的结论。结果表明,该提议有助于提高参与度,并建议如何在进一步的、未来的迭代中进行微调。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Opening rehearsal rooms as a way of broadening access, demystifying the process and breaking barriers
Access to the theatre industry is often frustrated through lack of experience. Many theatre companies have a stated aim to widen participation in order to fully represent the communities and society that they work in. This study assesses how opening up access to the rehearsal room can embolden and accelerate change as well as encourage a multiplicity of routinely marginalized voices to speak and be heard. It seeks to ask whether opening access to the rehearsal room has benefits for participants, companies and the industry at large. In this context, opening the rehearsal room means to facilitate observation access for those not directly involved in the production. After a nascent, small-scale version of the observation offer, a questionnaire was circulated to those who were invited and/or actively participated in the observation offer with conclusions drawn from responses and other related contextualizing literature. The results suggest that the offer can help to increase participation, with suggestions as to how it can be fine-tuned in further, future iterations.
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