城市中的游击艺术:城市与社会的复兴

Enrica Lovaglio, Manuel Scortichini
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引用次数: 0

摘要

没有许可证,没有总体规划,没有企业或公共资金,艺术家们避开了传统规范,完成了一项壮举:为世界各地被遗弃或萧条的城市带来城市和社会经济的复兴。在里约的贫民窟和美国贫困的郊区,艺术家是促进当地经济、定义集体身份、赋予人们归属感的政治力量,同时让这片土地充满美感。为了在城市的规模上发挥作用,艺术家们向当地人传授他们的手艺,并用艺术赋予社区权力,并揭示所需的城市政策,带来经济发展、专业知识和合作行动。因此,公共艺术成为边缘化社区注入新生活的工具,城市成为没有官僚主义的自由表达的理想画布。这篇文章是对两种公共艺术干预的鸟瞰图,它们突出了公民设计方法对城市更新的政治和教育意义。最终,它呼吁艺术家们作为城市转型的有影响力的创造者而活跃起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Guerrilla art in the city: Urban and social revitalization
Without a permit, a masterplan, or corporate or public funding, artists have evaded conventional norms to accomplish a feat: the urban and socio-economic revitalization of abandoned or depressed cities worldwide. In Rio’s favelas and America’s impoverished suburbs, artists are the political force that promotes local economies, defines collective identities, gives people a sense of belonging, while covering the land with beauty. To act at the city’s scale, artists teach their craft to the locals and use art to empower the community, and unveil needed urban policies, bringing economic development, expertise and collaborative action. As a result, public art becomes instrumental for infusing new life in marginalized neighbourhoods, and the city becomes the ideal canvas for free expression without bureaucracy. This article is a bird’s eye view of two public art interventions that have highlighted the political and pedagogical implications of a citizen-design approach to urban renewal. Ultimately, it is a call for artists to activate as impactful makers of urban transformations.
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