{"title":"给多莉的新朋友画阴影","authors":"T. Crow, Jonathan Hoffman, Maria Lee, Kiki Poh","doi":"10.1145/2993363.3006044","DOIUrl":null,"url":null,"abstract":"In order to fill the ocean and other settings in Pixar's Finding Dory with new life and meet the visual requirements for its new characters, we were faced with many challenges in shading these characters that lead to creative and interesting techniques. Here we have chosen to highlight several of those challenges that best represent the variety of both artistic and technical solutions we employed to make these characters successful.","PeriodicalId":427927,"journal":{"name":"SIGGRAPH ASIA 2016 Symposium on Education: Talks","volume":"68 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Shading Dory's new friends\",\"authors\":\"T. Crow, Jonathan Hoffman, Maria Lee, Kiki Poh\",\"doi\":\"10.1145/2993363.3006044\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In order to fill the ocean and other settings in Pixar's Finding Dory with new life and meet the visual requirements for its new characters, we were faced with many challenges in shading these characters that lead to creative and interesting techniques. Here we have chosen to highlight several of those challenges that best represent the variety of both artistic and technical solutions we employed to make these characters successful.\",\"PeriodicalId\":427927,\"journal\":{\"name\":\"SIGGRAPH ASIA 2016 Symposium on Education: Talks\",\"volume\":\"68 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-11-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SIGGRAPH ASIA 2016 Symposium on Education: Talks\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1145/2993363.3006044\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SIGGRAPH ASIA 2016 Symposium on Education: Talks","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1145/2993363.3006044","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
In order to fill the ocean and other settings in Pixar's Finding Dory with new life and meet the visual requirements for its new characters, we were faced with many challenges in shading these characters that lead to creative and interesting techniques. Here we have chosen to highlight several of those challenges that best represent the variety of both artistic and technical solutions we employed to make these characters successful.
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