{"title":"安妮·莱博维茨:摄影师的一生，1990-2005","authors":"A. Crémieux","doi":"10.4000/transatlantica.4332","DOIUrl":null,"url":null,"abstract":"The Annie Leibovitz exhibit has elicited many responses around the world. I invite you to follow the links to a number of interesting websites, articles and slideshows, before allowing me to use this Parisian event as an excuse to comment on a photograph that did not make the cut, as it predates the period encompassed by the exhibit. It is a portrait entitled “Whoopi Goldberg in a bath of milk”. Annie Leibovitz’ autobiographical retrospective exhibit “A Photographer’s Life, 1990-2005” was ori...","PeriodicalId":422366,"journal":{"name":"Transatlantica : Revue d'Études Américaines","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2009-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Annie Leibovitz: A Photographer’s Life, 1990–2005\",\"authors\":\"A. Crémieux\",\"doi\":\"10.4000/transatlantica.4332\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Annie Leibovitz exhibit has elicited many responses around the world. I invite you to follow the links to a number of interesting websites, articles and slideshows, before allowing me to use this Parisian event as an excuse to comment on a photograph that did not make the cut, as it predates the period encompassed by the exhibit. It is a portrait entitled “Whoopi Goldberg in a bath of milk”. Annie Leibovitz’ autobiographical retrospective exhibit “A Photographer’s Life, 1990-2005” was ori...\",\"PeriodicalId\":422366,\"journal\":{\"name\":\"Transatlantica : Revue d'Études Américaines\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2009-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Transatlantica : Revue d'Études Américaines\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4000/transatlantica.4332\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Transatlantica : Revue d'Études Américaines","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4000/transatlantica.4332","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
The Annie Leibovitz exhibit has elicited many responses around the world. I invite you to follow the links to a number of interesting websites, articles and slideshows, before allowing me to use this Parisian event as an excuse to comment on a photograph that did not make the cut, as it predates the period encompassed by the exhibit. It is a portrait entitled “Whoopi Goldberg in a bath of milk”. Annie Leibovitz’ autobiographical retrospective exhibit “A Photographer’s Life, 1990-2005” was ori...
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