保存乌克兰西方流散的宗教-宗教艺术传统的音乐研究对象,由myron fedorov

I. Yatsiv
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引用次数: 0

摘要

本文致力于分析乌克兰侨民中著名的音乐学家和公关家Myron Fedoriv在保存民族领土以外的民族歌曲传统的背景下的科学作品。它提供了有关科学家在音乐学领域最重要的理论成就的信息,并定义了文化公众人物和科学家在乌克兰和西方侨民的音乐和合唱文化史上的活动的地位和意义。本文旨在分析费多里夫在乌克兰移民文化环境下的民歌和合唱传统保护问题背景下的音乐遗产。研究方法:基于传记、文化学和音乐学方法,在研究问题的框架内对档案资料和文献进行理论分析、综合和系统化,作为解决目标结果的证据基础。Myron fedor是一位乌克兰作曲家、公关和音乐学家,他一生中大部分时间都生活在美国。他在乌克兰合唱文化史上留下了大量的音乐资料和理论著作,因此他停止了对散居乌克兰教会的歌曲传统和规范礼仪歌唱样本的破坏。费多尔诺夫在他的作品中写道,歌唱传统是乌克兰民族精神文化的基础,因此应该在美国的乌克兰天主教会中保留下来。因此,费多里夫先生的音乐学遗产对于二十世纪乌克兰音乐文化的历史非常有价值。费多里夫先生是乌克兰歌曲文化传统和在美国的乌克兰侨民艺术中的合唱音乐的守护者。因此,他的活动值得更详细的研究。新鲜事物。第一次,费多里夫先生的科学音乐学作品作为理论和方法基础,在乌克兰西部侨民保存民族歌唱传统的过程中被呈现出来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
PRESERVATION OF THE TRADITIONS OF RELIGIOUS-RITIAL ART OF THE UKRAINIAN WESTERN DIASPORA IN THE OBJECT OF MUSICAL RESEARCHES BY MYRON FEDORIV
The article is devoted to the analysis of scientific works of the well-known in the Ukrainian diaspora musicologist and publicist Myron Fedoriv in the context of preservation of the national song traditions outside ethnic territory. It provides information about the most important theoretical achievements of the scientist in the field of musicology, and defines the place and significance of activity of the cultural public figure and scientist in the history of musical and choral culture of Ukraine and the western diaspora. The aim of the article is the analysis of Myron Fedoriv’s musicological heritage in the context of conservation problems of the national song and choral tradition in the cultural environment of the Ukrainian emigration. Research methods аrе based on biographical, culturological, and musicological approaches, with the help of which theoretical analysis, synthesis and systematization of data from archival sources and literature were carried out within the framework of the research problem, as an evidence base for solving the goal Results. Myron Fedorіv is a Ukrainian composer, publicist and musicologist who lived in the United States most of his life. He left a large amount of musical material and theoretical works in the history of Ukrainian choral culture, so he stopped the destruction of song traditions and samples of canonical liturgical singing in the Ukrainian churches in the diaspora. In his works, M. Fedorіv wrote that the singing tradition is the basis of the Ukrainian national spiritual culture, and therefore it should be preserved in the Ukrainian Catholic Church in America. As a result, the musicological heritage of M. Fedoriv is very valuable for the history of the Ukrainian musical culture of the twentieth century. M. Fedoriv was the guardian of the traditions of Ukrainian song culture and choral music in the art of the Ukrainian diaspora in the United States. Thus, his activity deserves a more detailed study. Novelty. For the first time scientific musicological works by M. Fedoriv are presented as a theoretical and methodological basis in the process of preserving the national singing traditions in the Ukrainian Western Diaspora.
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