灾后城市文本:战后东欧和中欧城市中的城市阅读

U. Blacker
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引用次数: 0

摘要

在材料中,作者提出了一个多维记忆问题——不仅作为社会生活的组成部分,而且作为其在城市空间中的功能特征。作者在城市转型的背景下对记忆进行了阐释。这一现象的复杂性和多维性不仅在通常的方法论领域得到强调,而且在文学实践中也得到强调。文学作为一种积累记忆的手段,不管在城市空间中有一个或另一个消失或毁灭。创伤经历尤为重要。二十世纪的例子反映了对悲惨过去的记忆存在的各种情况。基辅、利沃夫、弗罗茨瓦夫、加里宁格勒和其他几个城市在第二次世界大战期间都面临着惯常景观的转变。这既是时代的现实,也是针对某些受到骚扰和破坏的群体的政策。实践工作和互动的一个或另一个组成部分的过去,政府机构的措施进行了分析。在这些悲惨的时期之后,记忆以一种奇特的方式消失了。该地区的城市以这样或那样的方式回归并在现代世界实现了这一经验。在这一过程中至关重要的是对城市空间记忆的“回归”和“打开”的文学实践。复杂的主题需要大量学科的参与,以形成对城市过去的客观看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
POST-CATASTROPHIC CITY TEXT: THE CITY READING IN THE CITY IN THE POSTWAR EAST AND CENTRAL EUROPE
In the material, the author addresses a multidimensional memory problem - not only as a constituent of social life but also as a feature of its functioning in urban space. The author presents the interpretations of memory against the background of urban transformations. The complexity and multidimensionality of this phenomenon are emphasized not only in the usual methodological field but also in literary practice. Literature acts as a means of accumulating memory despite the disappearance or destruction of one or the other in urban space. The traumatic experience is of particular importance. The example of the twentieth century reflects the various cases of the existence of memories of the tragic past. Kyiv, Lviv, Wroclaw, Kaliningrad and several other cities during the Second World War have faced the transformation of the usual landscape. That was both the realities of time and the policies against certain groups who have been harassed and destroyed. The practice of work and interaction with one or another component of the past, measures of governmental bodies are analyzed. After these tragic periods, the memory in a peculiar manner was lost. The cities in the region in one way or another came to return and actualization of this experience in the modern world. Critical in this process is the literary practice that "returns" and "opens" the memory of urban space. Complex topics require the involvement of a large number of disciplines in order to form an objective vision of the urban past.
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