白人克里奥尔人,“坏”语法,方言文学的诞生

B. Edmondson
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引用次数: 0

摘要

本章调查了加勒比海白人克里奥尔人早期作品中克里奥尔文学的起源,他们中的大多数人在奴隶制时代对解放持敌对态度。早期的文学方言用种族口技或伪抄写的形式来反对解放被奴役的黑人。这些口技者,以及那些被他们口技的人,为一种原始的加勒比叙事形式提供了一个持久的模板。这一章探讨了废奴主义者英国作家j·b·莫尔顿和支持奴隶制的白人克里奥尔作家塞缪尔·奥古斯特·马修斯之间的“方言战争”。讨论了白人对强壮的加勒比黑人妇女作为克里奥尔语载体的刻板印象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
White Creoles, “Bad” Grammar, and the Birth of Dialect Literature
This chapter investigates the origins of Creole literature in the early writings of the white creoles of the Caribbean, most of whom were hostile to Emancipation during the slavery era. Early literary dialect used forms of racial ventriloquism or pseudo-transcription to argue against the freeing of the enslaved blacks. These ventriloquists, and those that they ventriloquized, yielded a lasting template for an original Caribbean narrative form. The chapter explores the “dialect war” between the abolitionist English author J.B. Moreton and pro-slavery white creole author Samuel August Mathews. White stereotypes of strong black Caribbean women as vectors of Creole speech are discussed.
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