建筑——一个世俗的舞台

J. Erzen
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摘要

本文试图说明建筑和戏剧之间的重要对话,不仅在前者类似于世俗舞台的意义上,而且在它有意指定事件观看和体验空间的方式上。建筑的起源可以追溯到空间的建立,以促进人与神之间的对话。舞台是生命流动的体现和客观化。它使思考现在和过去成为可能,从而创造叙事。建筑也是我们观察自己行为的中介。空间的戏剧性与身体的运动和身体对空间元素的感知有关,导致了对意义展开的积极参与。这座城市不仅被许多城市学家定义为剧院;在整个历史中,它也是作为一个自然舞台被设计和形成的。巴洛克时期的罗马,印象派的巴黎,或者拜占庭时期的君士坦丁堡,都很好地说明了这个城市的这个维度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Architecture – A Worldly Stage
This essay attempts to illustrate the vital dialogue there is between architecture and theatre, not only in the sense that the former resembles a worldly stage but also in the way it intentionally designates spaces for events to be seen and experienced. The origins of architecture go back to the erection of spaces to facilitate the dialogue between humans and gods. The stage is the embodiment and objectification of the flow of life. It makes it possible to contemplate both the present and the past thereby creating narratives. Architecture is also a mediator for us to observe our own actions. The theatrical quality of space in relation to the movements of the body and the bodily perceptions of spatial elements, leads to an active participation in the unfolding of meanings. The city has not only been defined as theatre by many urbanists; it has also throughout history been designed and formed as a natural stage. Baroque Rome, the impressionists’ paintings of Paris, or Byzantine Constantinople with its many spectacles illustrate well this dimension of the city.
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