{"title":"对抗新的野蛮人,达南齐奥,斯宾格勒,凯撒的影子","authors":"A. Sgroi","doi":"10.30687/ada/2421-292x/2019/01/006","DOIUrl":null,"url":null,"abstract":"In the European culture between the nineteenth and twentieth centuries there is a denunciation of the decline of Western civilization, with the expectation of a ransom. The new Caesarism is the dream of many intellectuals. D'Annunzio and Spengler are protagonists in this cultural phase. The Italian writer anticipates the German philosopher. In fact, works like Le vergini delle rocce confirm the many convergences with Der untergand der Abendland, published in 1918. In this essay we analyse the analogies between the Weltanschauung of the two authors.","PeriodicalId":170358,"journal":{"name":"Archivio d’Annunzio","volume":"14 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-10-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Contro i nuovi Barbari: d’Annunzio, Spengler, l’ombra di Cesare\",\"authors\":\"A. Sgroi\",\"doi\":\"10.30687/ada/2421-292x/2019/01/006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the European culture between the nineteenth and twentieth centuries there is a denunciation of the decline of Western civilization, with the expectation of a ransom. The new Caesarism is the dream of many intellectuals. D'Annunzio and Spengler are protagonists in this cultural phase. The Italian writer anticipates the German philosopher. In fact, works like Le vergini delle rocce confirm the many convergences with Der untergand der Abendland, published in 1918. In this essay we analyse the analogies between the Weltanschauung of the two authors.\",\"PeriodicalId\":170358,\"journal\":{\"name\":\"Archivio d’Annunzio\",\"volume\":\"14 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-10-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Archivio d’Annunzio\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30687/ada/2421-292x/2019/01/006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Archivio d’Annunzio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30687/ada/2421-292x/2019/01/006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在十九世纪和二十世纪之间的欧洲文化中,有一种对西方文明衰落的谴责,并期望得到赎金。新凯撒主义是许多知识分子的梦想。达南齐奥和斯宾格勒是这一文化阶段的主角。那位意大利作家先于那位德国哲学家。事实上,像Le vergini delle process这样的作品证实了与1918年出版的《Abendland的undergand Der Abendland》的许多相似之处。在本文中,我们分析了两位作者的世界观之间的相似性。
Contro i nuovi Barbari: d’Annunzio, Spengler, l’ombra di Cesare
In the European culture between the nineteenth and twentieth centuries there is a denunciation of the decline of Western civilization, with the expectation of a ransom. The new Caesarism is the dream of many intellectuals. D'Annunzio and Spengler are protagonists in this cultural phase. The Italian writer anticipates the German philosopher. In fact, works like Le vergini delle rocce confirm the many convergences with Der untergand der Abendland, published in 1918. In this essay we analyse the analogies between the Weltanschauung of the two authors.