15. 齐达内电影

R. Conte
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引用次数: 0

摘要

后艺术时代的后电影也可以由两位艺术家的合作产生,比如道格拉斯·戈登和菲利普·帕雷诺的电影《齐达内:21世纪的肖像》(2006):在马德里伯纳巴姆萨乌体育场周围放置了17台摄像机,在那里正在进行一场比赛,从比赛开始直到他被罚下场。理查德·孔蒂(Richard Conte)审视了这幅特殊的肖像,特别注意到这部电影是如何主要关注齐达内的,以及那些只有艺术电影才能捕捉到的细节。对这种方法及其惊人的电影效果的深入分析也涉及到一个值得强调的后电影的社会方面:在这里,“精英当代艺术与世界上最受欢迎的运动和最具象征意义的人物之一相遇。”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
15. The Zidane Film
Post-cinema in the post-art era can also arise from the collaboration of two artists, as in the case of Zidane: A 21st Century Portrait (2006), a film by Douglas Gordon and Philippe Parreno: 17 cameras placed around the Bernabéu stadium in Madrid where a match is taking place follow the well-known football player, Zinédine Zidane, from the beginning of the game until his dismissal. Richard Conte examines this special portrait, paying particular attention to how the film focuses primarily on Zidane and on details that could only be captured by the artistic filmic device. This in-depth analysis of such an approach and its astonishing filmic result also concern a social aspect of post-cinema that deserves to be highlighted: here, “the elitist contemporary art meets the most popular sport of the world and one of its most emblematic figures.”
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