媒介与激进体现

D. Reynolds
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引用次数: 0

摘要

本章讨论了媒介理论和心理哲学中心理表征的概念。它认为,与表征主义模型所声称的相反,思维不是通过内部语言或内部图像工作的,而是通过积极的身体与环境的接触来工作的。本章讨论了心理表征在媒介理论中的历史作用。它展示了电子游戏是如何被运用于关于心灵本质的哲学和心理学论证中。它介绍了心理学家雨果·米·恩斯特伯格的案例,他与电影的接触影响了他的心理学理论。它讨论了图像在电子游戏中的作用。它说明了在心理学实验中如何使用动态图像媒体来强化关于内部心理表征的想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Media and Radical Embodiment
This chapter addresses the concept of mental representations in both media theory and philosophy of mind. It argues that, contrary to what representationalist models claim, the mind does not work by way of an internal language or internal images but through active bodily engagement with the environment. The chapter discusses how mental representations have functioned historically in media theory. It shows how video games have been employed in philosophical and psychological argumentation about the nature of the mind. It presents the case of Hugo Münsterberg, a psychologist whose encounter with film impacted his psychological theory. It discusses the role of imagery in video game play. It illustrates how the use of moving image media in psychological experiments can reinforce ideas about internal mental representations.
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