概念设计。形成阶段

T. Rusevych, O. Severina
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引用次数: 0

摘要

概念设计是建筑活动中最具创造性的部分。在建筑师的专业工作中,概念设计占有非常重要的地位。各种建筑和设计论坛、展览、比赛都是专门为他举办的。在苏联时期,形成概念解决方案的一个有趣的例子是亚历山大·布罗茨基和伊利亚·乌特金(他们的作品署名为“布鲁图斯”的串联)的作品。我们还有其他有趣概念的解决方案-“El Lysytsky的世界”竞赛的对象-新西伯利亚的环球剧院。在这里,作者从主要思想开始-立方体是20世纪俄罗斯先锋派精神和风格的主要形式。概念性的设计理念在不寻常的酒店、非典型的城市环境、非传统的建筑材料的建设中得以实施。所有这些都让你可以根据其他规则来思考生活。比建筑规范规定的还要多。我们周围的世界更加有趣和多样,所以我们可以在某种程度上用鲜艳的色彩来描绘它。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
CONCEPTUAL DESIGN. STAGES OF FORMATION
Conceptual design is the most creative part of architectural activity. In the professional work of architects, conceptual design is given great importance. Various architectural and design forums, exhibitions, competitions are dedicated to him. In Soviet times, an interesting example of the formation of conceptual solutions is the work of Alexander Brodsky and Ilya Utkin (who signed their works as a tandem of "Brutus"). We have other solutions of interesting concepts - the object of the competition "The World of El Lysytsky" - the Globe Theater in Novosibirsk. Here the authors start from the main idea - that the cube is the main form that characterizes the spirit and style of the Russian avant-garde of the twentieth century. Conceptual design ideas are implemented in the construction of unusual hotels, atypical urban environment, non-traditional building materials. All this allows you to think about life according to other rules. Than those prescribed in building codes. The world around us is more interesting and diverse, so we can, in part, paint it in bright colors.
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