当代陶瓷艺术中的船形

Tuba Korkmaz
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引用次数: 0

摘要

水上迁徙是一项从根本上改变了人类历史的运动。因此,它在技术上比原始的交通工具更先进,能够建造出能够克服海洋的坚固船只,也引起了技术方面的巨大进步。在词典中,这艘船漂浮在水面上,运载着人类和货物,它的主要住所是公元前4世纪晚期的埃及。它是一种工具,载着我们的船超越我们所知道的,鞭笞我们发现新地方的愿望,同时满足我们的好奇心。门作为艺术表达工具的使用是基于非常古老的门。在艺术史上,从瓷砖到油画,都有很多领域的对抗。当我们今天看当代艺术的时候,我们仍然把它看作是一种具有审美和深刻意义的形式。在本研究中,旨在展示世界各国船型陶瓷成形器的使用差异。从艺术家的角度出发,强调了船形的内容和不同技术在陶瓷领域的应用。通过对一些艺术家的采访,为他们打开了这种形式的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
SHIP FORM IN CONTEMPORARY CERAMIC ART
Moving on the water has been a movement that radically changed the history of humanity. For this reason, it is more technologically advanced than the primitive vehicles and able to build strong ships that can overcome the seas has also caused great improvements in terms of technology. In the dictionary, the main dwelling of the ship, which floats above the water, and which carries the human and the cargo, is known as Egypt in the late 4th century BC. It is a vehicle that carries our ship beyond what we know and whips our desire to discover new places while satisfying our curiosity. The use of the gates as an artistic expression tool is based on very old ones. In the history of art, from the tile to oil paintings, there are many confrontations in the field. When we look at contemporary art today, we still see it used as a form with aesthetic and profound meanings. In this research, it is aimed to show the usage differences of ceramic formers of ship form in various countries in the world. From the point of view of the artist, the content of the ship form and the use of different techniques in the field of ceramics are emphasized. The meaning of this form has been opened for them by making interviews with some artists.
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