{"title":"明清苏式家具木雕材料比较分析","authors":"Weixia Gao","doi":"10.35532/jahs.v1.010","DOIUrl":null,"url":null,"abstract":"Su-style furniture woodcarving skills gradually matured and perfected in different stages of Ming and Qing dynasties, and have been passed down to this day through the dynamic way of physical production. Firstly, this paper compares the woodcarving materials used by Su-style with different carving styles in Ming and Qing Dynasties, and then analyses the reasons for the change of woodcarving decoration materials used.","PeriodicalId":218640,"journal":{"name":"2019 International Conference on Advances in Literature, Arts and Communication (ALAC 2019)","volume":"62 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Comparative Analysis of Materials of Su-style Furniture Woodcarving in Ming and Qing Dynasty\",\"authors\":\"Weixia Gao\",\"doi\":\"10.35532/jahs.v1.010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Su-style furniture woodcarving skills gradually matured and perfected in different stages of Ming and Qing dynasties, and have been passed down to this day through the dynamic way of physical production. Firstly, this paper compares the woodcarving materials used by Su-style with different carving styles in Ming and Qing Dynasties, and then analyses the reasons for the change of woodcarving decoration materials used.\",\"PeriodicalId\":218640,\"journal\":{\"name\":\"2019 International Conference on Advances in Literature, Arts and Communication (ALAC 2019)\",\"volume\":\"62 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2019 International Conference on Advances in Literature, Arts and Communication (ALAC 2019)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.35532/jahs.v1.010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2019 International Conference on Advances in Literature, Arts and Communication (ALAC 2019)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.35532/jahs.v1.010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Comparative Analysis of Materials of Su-style Furniture Woodcarving in Ming and Qing Dynasty
Su-style furniture woodcarving skills gradually matured and perfected in different stages of Ming and Qing dynasties, and have been passed down to this day through the dynamic way of physical production. Firstly, this paper compares the woodcarving materials used by Su-style with different carving styles in Ming and Qing Dynasties, and then analyses the reasons for the change of woodcarving decoration materials used.