《崇高的回响:1670-1850年英德文学与美学理论中的音乐》米兰达·伊娃·斯坦永著(书评)

{"title":"《崇高的回响:1670-1850年英德文学与美学理论中的音乐》米兰达·伊娃·斯坦永著(书评)","authors":"Tekla Babyak","doi":"10.1353/gyr.2022.0035","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":385309,"journal":{"name":"Goethe Yearbook","volume":"29 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Resounding the Sublime: Music in English and German Literature and Aesthetic Theory, 1670–1850 by Miranda Eva Stanyon (review)\",\"authors\":\"Tekla Babyak\",\"doi\":\"10.1353/gyr.2022.0035\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":385309,\"journal\":{\"name\":\"Goethe Yearbook\",\"volume\":\"29 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-05-14\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Goethe Yearbook\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/gyr.2022.0035\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Goethe Yearbook","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/gyr.2022.0035","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}