{"title":"Sheepology","authors":"K. Piddington","doi":"10.1386/jaws_00039_1","DOIUrl":null,"url":null,"abstract":"‘Becoming-animal’, a concept devised by Gilles Deleuze and Felix Guattari, provides me with a springboard to explore new insights and perspectives outside the human experience. As an art practitioner, I enter paradoxical spaces between the wild and the domestic, to encounter non-human animals. Through shape-shifting and attuning to local ecologies, I enter these entangled worlds using both a playful and serious intent. I use a camera switched to auto and other technologies to create films and sound works from these multispecies alliances and to consider what it might be like to be non-human. These then undergo a transformative process and are given space to become something beyond my control. Ultimately, they create alternative ways of seeing and thinking about interspecies relationships. Sheepology, a film and sound work to emerge from this process, offers the viewer an opportunity to move across the human–non-human boundary, into other alien worlds and domains, to become undone and co-inhabit a multispecies environment. I plan to examine the implications of these multispecies alliances for creating a shift in awareness of the biodiversity emergency.","PeriodicalId":244127,"journal":{"name":"JAWS: Journal of Arts Writing by Students","volume":"9 2-3 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sheepology\",\"authors\":\"K. Piddington\",\"doi\":\"10.1386/jaws_00039_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"‘Becoming-animal’, a concept devised by Gilles Deleuze and Felix Guattari, provides me with a springboard to explore new insights and perspectives outside the human experience. As an art practitioner, I enter paradoxical spaces between the wild and the domestic, to encounter non-human animals. Through shape-shifting and attuning to local ecologies, I enter these entangled worlds using both a playful and serious intent. I use a camera switched to auto and other technologies to create films and sound works from these multispecies alliances and to consider what it might be like to be non-human. These then undergo a transformative process and are given space to become something beyond my control. Ultimately, they create alternative ways of seeing and thinking about interspecies relationships. Sheepology, a film and sound work to emerge from this process, offers the viewer an opportunity to move across the human–non-human boundary, into other alien worlds and domains, to become undone and co-inhabit a multispecies environment. I plan to examine the implications of these multispecies alliances for creating a shift in awareness of the biodiversity emergency.\",\"PeriodicalId\":244127,\"journal\":{\"name\":\"JAWS: Journal of Arts Writing by Students\",\"volume\":\"9 2-3 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JAWS: Journal of Arts Writing by Students\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jaws_00039_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JAWS: Journal of Arts Writing by Students","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jaws_00039_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
‘Becoming-animal’, a concept devised by Gilles Deleuze and Felix Guattari, provides me with a springboard to explore new insights and perspectives outside the human experience. As an art practitioner, I enter paradoxical spaces between the wild and the domestic, to encounter non-human animals. Through shape-shifting and attuning to local ecologies, I enter these entangled worlds using both a playful and serious intent. I use a camera switched to auto and other technologies to create films and sound works from these multispecies alliances and to consider what it might be like to be non-human. These then undergo a transformative process and are given space to become something beyond my control. Ultimately, they create alternative ways of seeing and thinking about interspecies relationships. Sheepology, a film and sound work to emerge from this process, offers the viewer an opportunity to move across the human–non-human boundary, into other alien worlds and domains, to become undone and co-inhabit a multispecies environment. I plan to examine the implications of these multispecies alliances for creating a shift in awareness of the biodiversity emergency.