G. Deleuze
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引用次数: 249

摘要

吉尔·德勒兹(Gilles Deleuze, 1925年1月18日- 1995年11月4日)是20世纪下半叶最具影响力和最多产的法国哲学家之一。德勒兹认为哲学是概念的生产,他把自己描述为“纯粹的形而上学家”。在他的代表作《差异与重复》中,他试图发展一种适合当代数学和科学的形而上学——一种以多样性概念取代实体概念、事件取代本质概念、虚拟取代可能性概念的形而上学。德勒兹还研究了哲学史(关于休谟、尼采、康德、柏格森、斯宾诺莎、福柯和莱布尼茨)和艺术(关于电影的两卷本研究,关于普鲁斯特和萨切尔-马索克的书,关于画家弗朗西斯·培根的作品,以及一本关于文学的散文集)。德勒兹认为这些后期的作品是纯粹的哲学,而不是批评,因为他试图创造与画家、电影制作人和作家的艺术实践相对应的概念。1968年,他遇到了政治活动家和激进的精神分析学家f利克斯·瓜塔里,他与他合作了几部作品,其中包括两卷本的《资本主义和精神分裂症》,包括《反俄狄普斯》(1972年)和《千高原》(1980年)。他们最后的合作是《什么是哲学?》(1991)。
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Gilles Deleuze
Gilles Deleuze (January 18, 1925–November 4, 1995) was one of the most influential and prolific French philosophers of the second half of the twentieth century. Deleuze conceived of philosophy as the production of concepts, and he characterized himself as a “pure metaphysician.” In his magnum opus Difference and Repetition, he tries to develop a metaphysics adequate to contemporary mathematics and science—a metaphysics in which the concept of multiplicity replaces that of substance, event replaces essence and virtuality replaces possibility. Deleuze also produced studies in the history of philosophy (on Hume, Nietzsche, Kant, Bergson, Spinoza, Foucault, and Leibniz), and on the arts (a twovolume study of the cinema, books on Proust and Sacher-Masoch, a work on the painter Francis Bacon, and a collection of essays on literature.) Deleuze considered these latter works as pure philosophy, and not criticism, since he sought to create the concepts that correspond to the artistic practices of painters, filmmakers, and writers. In 1968, he met Félix Guattari, a political activist and radical psychoanalyst, with whom he wrote several works, among them the two-volume Capitalism and Schizophrenia, comprised of Anti-Oedipus (1972) and A Thousand Plateaus (1980). Their final collaboration was What is Philosophy? (1991).
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