{"title":"以igor grubiĆ的《东区故事》为基础的迷人世界。表演美学的一堂课","authors":"Anna Dzierżyc-Horniak","doi":"10.5604/01.3001.0012.9882","DOIUrl":null,"url":null,"abstract":"In her The Transformative Power of Performance. A New Aesthetics Erika Fischer-Lichte argues that everything which happens in a performance can be described as a repeated enchanting of the world and transformation of all the participants of the event. The text is an attempt to consider the videoinstallation East Side Story by Igor Grubić exactly from this perspective. It discusses key concept categories utilized by the German theatre researcher, and at the same time undertakes an attempt to fit them into the installation of the Chroatian artist. The analysis points out to the bodily co-presence of the actors and the viewers, the performative production of materiality of the performance and the way in which the performance becomes an event. Questions were asked about a performance live as opposed to a mediated performance.","PeriodicalId":431350,"journal":{"name":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"ENCHANTING THE WORLD ON THE BASIS OF EAST SIDE STORY BY IGOR GRUBIĆ. A LESSON OF PERFORMATIVE AESTHETICS\",\"authors\":\"Anna Dzierżyc-Horniak\",\"doi\":\"10.5604/01.3001.0012.9882\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In her The Transformative Power of Performance. A New Aesthetics Erika Fischer-Lichte argues that everything which happens in a performance can be described as a repeated enchanting of the world and transformation of all the participants of the event. The text is an attempt to consider the videoinstallation East Side Story by Igor Grubić exactly from this perspective. It discusses key concept categories utilized by the German theatre researcher, and at the same time undertakes an attempt to fit them into the installation of the Chroatian artist. The analysis points out to the bodily co-presence of the actors and the viewers, the performative production of materiality of the performance and the way in which the performance becomes an event. Questions were asked about a performance live as opposed to a mediated performance.\",\"PeriodicalId\":431350,\"journal\":{\"name\":\"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5604/01.3001.0012.9882\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5604/01.3001.0012.9882","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
ENCHANTING THE WORLD ON THE BASIS OF EAST SIDE STORY BY IGOR GRUBIĆ. A LESSON OF PERFORMATIVE AESTHETICS
In her The Transformative Power of Performance. A New Aesthetics Erika Fischer-Lichte argues that everything which happens in a performance can be described as a repeated enchanting of the world and transformation of all the participants of the event. The text is an attempt to consider the videoinstallation East Side Story by Igor Grubić exactly from this perspective. It discusses key concept categories utilized by the German theatre researcher, and at the same time undertakes an attempt to fit them into the installation of the Chroatian artist. The analysis points out to the bodily co-presence of the actors and the viewers, the performative production of materiality of the performance and the way in which the performance becomes an event. Questions were asked about a performance live as opposed to a mediated performance.