以igor grubiĆ的《东区故事》为基础的迷人世界。表演美学的一堂课

Anna Dzierżyc-Horniak
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引用次数: 0

摘要

在她的《表演的变革力量》中。埃里卡·费舍尔-利希特认为,在表演中发生的一切都可以被描述为对世界的重复迷恋和对所有活动参与者的转变。本文正是试图从这个角度来审视伊戈尔·格鲁比奇的录像装置作品《东区故事》。它讨论了德国戏剧研究者使用的关键概念类别,同时尝试将它们融入克洛蒂亚艺术家的装置中。分析指出了演员和观众的身体共临、表演物质性的表演生产以及表演成为事件的方式。问题是关于现场表演而不是中介表演的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
ENCHANTING THE WORLD ON THE BASIS OF EAST SIDE STORY BY IGOR GRUBIĆ. A LESSON OF PERFORMATIVE AESTHETICS
In her The Transformative Power of Performance. A New Aesthetics Erika Fischer-Lichte argues that everything which happens in a performance can be described as a repeated enchanting of the world and transformation of all the participants of the event. The text is an attempt to consider the videoinstallation East Side Story by Igor Grubić exactly from this perspective. It discusses key concept categories utilized by the German theatre researcher, and at the same time undertakes an attempt to fit them into the installation of the Chroatian artist. The analysis points out to the bodily co-presence of the actors and the viewers, the performative production of materiality of the performance and the way in which the performance becomes an event. Questions were asked about a performance live as opposed to a mediated performance.
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