Halifa AWALTU RAHMI, Vivi Efrianova
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摘要

本研究旨在1)解释新娘新娘的化妆形式,2)描述新娘新娘化妆的技术,3)揭示新娘新娘化妆在长笠塔兰的意义。这类研究是采用描述性方法的定性研究。这项研究的工具是研究人员自己,并辅以录音机、录像带或照相机等辅助工具。数据收集技术包括观察、访谈和记录。数据分析的措施有数据收集、数据简化、数据呈现和结论绘制。这项研究的结果是新娘米南的一种服装形式,由塔利普瓦克,兰巴克,鼓组成。穿着盘古鲁和沙捞加当服装的男人。女式晒塘香蕉纱布、杜鹃、高朗、腰身等配件。男人喜欢deta或saluak, sasampiang, karih和tunkek。新娘彩妆和新娘彩妆技巧在长井Taram使用固体粉海绵,母猪粉海绵,粉底海绵和刷子,从粉底,母猪粉,固体粉,眉架,眼影,假睫毛,腮红和口红开始。而服装的安装则从安装lambak开始,先安装talipuak服装、丝巾等属性,再安装馒头、头巾和香蕉sununtiang saparak。新娘化妆的意义在长笠Taram是非常深刻和广阔的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TATA RIAS PENGANTIN MINANG DI NAGARI TARAM KABUPATEN LIMA PULUH KOTA
This research aims to 1) explain what form of makeup the bride minang, 2) describes how the technique of installing makeup of the bride minang, 3) reveals what the meaning of the makeup of the bride minang in Nagari Taram. This type of research is qualitative research with descriptive methods. The instruments in this study were researchers themselves and assisted with supporting instruments such as tape recorders, video tapes, or cameras. Data collection techniques are observation, interview and documentation. Measures for analyzing data are data collection, data reduction, data presentation and conclusion drawing. The result of this study is a form of clothing of the bride minang, consisting of talipuak, lambak, drums. For men in pangulu and sarawa gadang clothes. Accessories for women suntiang banana saparak, dukua, galang, ikek waist. Men like deta or saluak, sasampiang, karih, and tungkek. Bridal makeup and bridal make-up techniques in Nagari Taram using solid powder sponges, sow powder sponges, foundation sponges and brushes, starting from foundation, powder sow, solid powder, eyebrow frame, eye shadow, false eyelashes, blush and lipstick. While the installation of clothes starts from the installation of lambak, installing talipuak clothes, scarves and other attributes, then buns, hijabs and banana suntiang saparak. The meaning of bridal make-up in Nagari Taram is very deep and spacious.
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