选择Cú楚兰和选择阿喀琉斯。互文性和手稿

M. Clarke
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摘要

这是一个熟悉的陈词滥调,甚至是一种比喻,将Cú楚雷恩描述为“爱尔兰的阿喀琉斯”,并通过引用英雄选择过早死亡和永恒的名声而不是长期不光荣的生活的共同主题来举例说明这一点。布伦特·迈尔斯(Brent Miles)认为,“阿喀琉斯的选择”故事的知识可能是通过对维吉尔(即塞尔维乌斯·奥库斯(Servius Auctus))的评论传播给爱尔兰文人的,基于这一见解,本文旨在重构在Táin bó Cúailnge形成时期可能应用于该文本的阅读策略。这一论点是通过研究Servius Auctus的两份手稿(MSS Bern, Burgerbibliothek 167 & 172)来进行的,其中的其他部分以旁注的形式保存了爱尔兰与弗吉尼亚诗歌接触的直接证据,这些旁注集中在picti这个词与被称为Picts的英国种族的联系上。picti材料提供了一种假设重建的模型,即文人如何在这些或类似的维吉尔注释手稿中解释和重新语境化阿喀琉斯材料。这鼓励了对Táin的制造者如何以及为什么创造性地参与到Cú丘雷恩和阿喀琉斯之间的相似之处的重新评估。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The choice of Cú Chulainn and the choice of Achilles. Intertextuality and the manuscripts
abstract:It is a familiar cliché, even a trope, to characterise Cú Chulainn as 'the Irish Achilles' and to exemplify this by citing the shared motif of the hero choosing an early death and eternal fame in preference to a long inglorious life. Building on Brent Miles' insight that knowledge of the 'choice of Achilles' story could have come to the Irish literati through the commentary on Vergil known as Servius Auctus, this article aims to reconstruct the reading strategies that might have been applied to this text in the period when Táin bó Cúailnge was taking shape. The argument is pursued by examining two manuscripts of Servius Auctus (MSS Bern, Burgerbibliothek 167 & 172), of which other sections preserve direct evidence for Irish engagement with Virgilian poetry in the form of marginalia focussed on the word picti in connexion with the British race known as the Picts. The picti material provides the model for a hypothetical reconstruction of how the literati might have interpreted and re-contextualised the Achilles material in these or similar annotated manuscripts of Vergil. This encourages a revised assessment of how and why the makers of the Táin may have been engaging creatively with the perceived parallelism between Cú Chulainn and Achilles.
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