沉浸式虚拟乐器的布景

Florent Berthaut, Victor Zappi, D. Mazzanti
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引用次数: 15

摘要

沉浸式虚拟乐器是音乐技术与虚拟现实的结合。作为乐器和虚拟环境的元素,ivmi需要设计师采用横向方法,特别是当最终目标是在观众面前播放它们时,作为场景设计的一部分。在本文中,我们将音乐表演和虚拟现实应用的主要限制结合到一组维度中,旨在广泛描述ivmi的舞台设置。然后使用这些维度对许多现有的舞台设置进行分类,解释它们如何用于展示现场虚拟表演并讨论它们的舞台水平。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Scenography of immersive virtual musical instruments
Immersive Virtual Musical Instruments (IVMIs) can be considered as the meeting between Music Technology and Virtual Reality. Being both musical instruments and elements of Virtual Environments, IVMIs require a transversal approach from their designers, in particular when the final aim is to play them in front of an audience, as part of a scenography. In this paper, we combine the main constraints of musical performances and Virtual Reality applications into a set of dimensions, meant to extensively describe IVMIs stage setups. A number of existing stage setups are then classified using these dimensions, explaining how they were used to showcase live virtual performances and discussing their scenographic level.
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