活镜子和螨虫

O. Nachtomy
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引用次数: 0

摘要

本章考察莱布尼茨对帕斯卡尔的《彭萨梅斯》在皇家港口版(现拉uma§199)中的片段22的评论。莱布尼茨对帕斯卡对无限大和无限小的运用,以及他用无限大来描述生物的方式做出了回应,通过一个小虫(ciron)的例子。相比之下,莱布尼茨则引用了活镜子的形象(miroir vivant)。作者认为,尽管表面上有相似之处,莱布尼茨使用无限来定义生物与帕斯卡使用无限形成鲜明对比,因为它强调统一与和谐,而不是可分性和差异。莱布尼茨通过“活镜子”的概念来使用无限,这表明每个个体都是一个紧密相连的和谐系统的组成部分。帕斯卡用无限来强调我们对世界的疏离和不理解,而莱布尼茨则把无限作为统一、联系和归属的标志。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Living Mirrors and Mites
This chapter examines Leibniz’s comment on fragment 22 of Pascal’s Pensées in the Port Royal Edition (currently Lafuma §199). Leibniz responds to Pascal’s employment of the infinitely large and infinitely small, and to the way he uses infinity to describe living beings, through the example of a mite (ciron). In contrast, Leibniz invokes the image of a living mirror (miroir vivant). The author argues that, in spite of superficial similarities, Leibniz’s use of infinity to define living beings stands in stark contrast to Pascal’s use of infinity, in that it stresses unity and harmony rather than divisibility and disparity. Leibniz’s use of infinity through the notion of a living mirror suggests that each individual forms an integral part of a well-connected and harmonious system. While Pascal uses infinity to highlight our alienation and incomprehension of the world, for Leibniz, infinity serves instead as a mark of unity, connectedness, and belonging.
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