{"title":"ANALISIS PENERAPAN PEMBAYARAN ROYALTI HAK CIPTA LAGU PADA USAHA HIBURAN KARAOKE (Studi Kasus Orange Family Karaoke)","authors":"Suci Permata, Tami Rusli, Melisa Safitri","doi":"10.37090/keadilan.v19i2.314","DOIUrl":null,"url":null,"abstract":"Abstract\nKaraoke places are in great demand from various circles. All karaoke places have the same goal, which is to provide entertainment for the family or take a moment to unwind from the daily routine. Karaoke places always serve songs with various choices from all the creations of Indonesian singers. But of course the songs that are served have been licensed first. Regarding this license, basically it must be agreed by both parties without coercion. Copyright protection, especially for music or song creations, is a serious problem. This situation shows that there is still a need for stricter legal protection regarding the protection of royalties on a song or music copyrighted work and the protection of the rights contained therein. The purpose of the study was to determine the implementation of copyright royalty payments on songs between the creator and karaoke entertainment business actors and the inhibiting factors for the payment of copyright royalties on songs between the creator and performer in karaoke entertainment at Orange Family Karaoke. The method used in this research is empirical juridical. The data that has been systematically arranged were analyzed qualitatively. The results showed that the distribution of royalties is managed by the Collective Management Institute (LMK). The institution is authorized by the creator to exercise the economic rights of the creator. The barrier to royalty payments is due to the lack of socialization and understanding of royalty payments and the high cost of royalty payments.\n Keywords: Royalty, Copyright, Karaoke","PeriodicalId":143961,"journal":{"name":"Keadilan","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-09-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Keadilan","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37090/keadilan.v19i2.314","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
摘要卡拉ok场所是社会各界的热门场所。所有的卡拉ok场所都有相同的目标,那就是为家人提供娱乐,或者让他们从日常工作中放松一下。卡拉ok场所总是提供各种各样的歌曲,来自印度尼西亚歌手的所有创作。当然,网站上播放的歌曲都是经过授权的。关于此许可,基本上必须由双方同意,没有强制。版权保护,尤其是音乐或歌曲创作,是一个严重的问题。这种情况表明,在保护歌曲或音乐版权作品的版税以及保护其中所包含的权利方面,仍然需要更严格的法律保护。本研究的目的是确定创作者与卡拉ok娱乐业务演员之间歌曲版权版税支付的实施情况,以及在Orange Family karaoke卡拉ok娱乐中创作者与表演者之间歌曲版权版税支付的抑制因素。本研究使用的方法是实证法。对系统整理的资料进行定性分析。结果表明,版税分配由集体管理学院(LMK)管理。事业单位经创作者授权行使创作者的经济权利。版税支付的障碍是由于缺乏对版税支付的社会化和理解,以及版税支付的高成本。关键词:版税,版权,卡拉ok
ANALISIS PENERAPAN PEMBAYARAN ROYALTI HAK CIPTA LAGU PADA USAHA HIBURAN KARAOKE (Studi Kasus Orange Family Karaoke)
Abstract
Karaoke places are in great demand from various circles. All karaoke places have the same goal, which is to provide entertainment for the family or take a moment to unwind from the daily routine. Karaoke places always serve songs with various choices from all the creations of Indonesian singers. But of course the songs that are served have been licensed first. Regarding this license, basically it must be agreed by both parties without coercion. Copyright protection, especially for music or song creations, is a serious problem. This situation shows that there is still a need for stricter legal protection regarding the protection of royalties on a song or music copyrighted work and the protection of the rights contained therein. The purpose of the study was to determine the implementation of copyright royalty payments on songs between the creator and karaoke entertainment business actors and the inhibiting factors for the payment of copyright royalties on songs between the creator and performer in karaoke entertainment at Orange Family Karaoke. The method used in this research is empirical juridical. The data that has been systematically arranged were analyzed qualitatively. The results showed that the distribution of royalties is managed by the Collective Management Institute (LMK). The institution is authorized by the creator to exercise the economic rights of the creator. The barrier to royalty payments is due to the lack of socialization and understanding of royalty payments and the high cost of royalty payments.
Keywords: Royalty, Copyright, Karaoke