声音的解剖:后歌剧展览的两种观点(“帐篷”画廊和“不稳定媒体的V2_Lab”,鹿特丹,2019年4月19日至6月30日和5月3日至26日)

New Sound Pub Date : 2020-07-19 DOI:10.5937/NEWSO2055179I
I. Ilic, Iva Nenić
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引用次数: 1

摘要

本文讨论了由克里斯·迪特尔(Kris Dittel)和耶琳娜·诺瓦克(Jelena Novak)策划的展览“后歌剧”,这是一个复杂而具有挑衅性的策展项目,该展览通过视觉艺术、技术和歌剧之间的并置和反思,从创意和理论的角度探讨了声音与(人体)身体之间的变化关系。首先,在本文中,我们考察了策展过程,从作品和观众之间的中介功能向实践的转变,它干预了这两个领域,并导致展览作为一个自主的艺术对象。第二部分是对当代艺术文化中唱腔和说话声音的政治性和有效性的解读,第三部分是对“装腔作势”中唱腔和被唱腔关系的形象化解读。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The anatomy of voice: Two views on the exhibition post-opera ('Tent' Gallery and 'V2_Lab for the Unstable Media', Rotterdam, April 19 - June 30 and May 3-26 2019)
In this paper we discuss the exhibition Post-Opera, a complex and provocative curatorial project by Kris Dittel and Jelena Novak, in which the changeable relations between the voice and the (human) body are investigated from the creative and the theoretical perspectives, relying on juxtaposing and reflection between visual arts, technology and opera. Firstly, in the paper we examine the curatorial procedure, in its shift from the mediatory function between the work and the audience towards the practice, which intervenes in both of these domains and results in an exhibition as an autonomous art object. In the second part we interpret the politics and the effectiveness of the singing and the speaking voice in contemporary art and culture, while in the third part we write about the resemantization of the relation between the singing body and the sung voice within 'installing the operatic'.
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