传记的纪念碑

Elizabeth Frood
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引用次数: 0

摘要

这一章调查了埃及古物学家通常称为“传记”或“自传”的类型,包括文本,通常刻在石碑上,以各种形式讲述非王室成员生活中的事件和/或他们道德品质的各个方面。这样的传记从公元前三千年到罗马时代都得到了证实,使它们成为古埃及已知的最长寿、最具特色的文本类型之一。本章首先简要概述了围绕该类型定义的问题,以及埃及古物学家对其分析所采取的方法范围。然后概述了传记的展示背景,从墓室的墙壁到寺庙里的石像。为了给人一种发展和范围的感觉,讨论采用了一个大致的时间顺序结构。强调了这些背景的一些潜在分析含义,例如围绕表演和观众。最后的讨论集中在内容的特征上;这些文本是精英男性世界的产物,因此,毫不奇怪,通常是高度理想化的人物和行为表现。在这一框架下,该类型在主题和表达方面的丰富性和多样性得到了强调。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Biographical Monuments
This chapter surveys the genre normally referred to by Egyptologists as ‘biography’ or ‘autobiography’, comprising texts, often inscribed on stone monuments, which recount, in various forms, events in a non-royal person’s life and/or aspects of their moral character. Such biographies are attested from the third millennium bc to Roman times, making them one of the longest-lived and most characteristic textual genres known from ancient Egypt. The chapter begins by briefly summarizing issues surrounding the genre’s definition, as well as the range of approaches taken by Egyptologists to its analysis. An overview of the display contexts for biography is then given, ranging across the walls of tomb-chapels to the bodies of stone statues set up in temples. The discussion deploys a broadly chronological structure in order to give a sense of development and scope. Some potential analytical implications of these contexts are highlighted, for example around performance and audience. The final discussion centres on features of content; these texts were products of a predominantly elite male world so, unsurprisingly, are usually highly idealizing presentations of character and action. The genre’s richness and diversity in terms of themes and expression within this framework is highlighted.
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