歌德形态学的当代遗产:从Anschauende Urteilskraft到算法模式识别、生成和探索

Oriane Petteni
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引用次数: 0

摘要

摘要:本文提供了一种对歌德形态学的新解读,与其说它是一种反现代或前现代的方法论,不如说是一种晚期现代的方法论。事实上,基于对视觉和计算技术的特殊性的分析,即歌德对自然现象的研究方法,本文建议将歌德的形态学视为还原的原始实践。后者并不像现代自然科学那样简化复杂性,而是旨在直观地了解自然技术本身产生复杂性的方式。因此,本文将歌德作为自然主义者的工作理解为对康德的目的判断二律背反的创新回答,即试图从内部理解自然的逻辑,而不仅仅是试图表现或模仿它。在这种背景下,本文提出了Urtyp,歌德形态学的关键特征,作为一个原型算法矩阵,能够识别和/或视觉上生成和探索实际和虚拟形态学的结构。最后,文章指出了这种姿态如何通过自然计算、发展算法、模糊逻辑和计算机图形学为模式识别、生成和探索的当代技术铺平了道路。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Contemporary Legacy of Goethean Morphology: From Anschauende Urteilskraft to Algorithmic Pattern Recognition, Generation, and Exploration
Abstract:This article offers a new interpretation of Goethean morphology that reads it not so much as an anti- or premodern methodology than as a late modern one. Indeed, based on the analysis of the specificity of the visual and computational techniques that ground Goethe's approach to natural phenomena, the paper suggests looking at Goethean morphology as an original practice of reduction. The latter does not simplify complexity, as is usually the case in modern natural sciences, but rather aims at intuiting the ways in which nature's technique generates complexity itself. Consequently, the article understands the work of Goethe qua naturalist as an innovative answer to Kant's antinomy of teleological judgment, namely as an attempt to comprehend the logic of nature from within, instead of merely trying to represent or mimic it. In this context, the article presents the Urtyp, the key feature of Goethean morphology, as a proto-algorithmic matrix capable of identifying and/or visually generating and exploring the structures of both actual and virtual morphologies. Finally, the article indicates how this very gesture paved the way to contemporary techniques of pattern recognition, generation, and exploration via natural computing, developmental algorithms, fuzzy logic, and computer graphics.
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