在《可爱的人》中,关于变性行为的异性恋谈判

Nadya Afdholy
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引用次数: 3

摘要

本研究旨在运用托多罗夫的叙事结构理论和巴特勒提出的概念,揭示泰迪·苏里亚特玛贾导演的电影《可爱的男人》中的异性规范性。电影中出现的异性恋价值观是由Teddy Soeriaatmadja导演的,通过三个场景中人物之间的对话可以看到;(1)平衡/充分,(2)破坏,不平衡/破坏力,(3)相反的力。本研究采用定性方法,采用托多罗夫模型的叙事分析方法。本研究使用的数据是导演Teddy Soeriaatmadja的电影《可爱的男人》本身。本研究采用观察法和文献研究法的数据收集技术,以及采用数据简化、解释和结论的数据收集技术。本研究结果表明,异性恋者被认为是异性恋者所反映的异性恋规范价值观念,破坏了异装癖生活的稳定性,因此异性恋者被认为是异性恋者的“他者”。关键词:电影,可爱的男人,异性恋,他者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
NEGOSIASI HETERONORMATIVITAS PADA PERFORMATIVITAS TRANSGENDER DALAM FILM LOVELY MAN
This study aims to reveal heteronormativity in the Lovely Man movie by director Teddy Soeriaatmadja by using narrative structure theory from Tzvetan Todorov and the concept initiated by Judith Butler. Heteronormative values that appear in the film directed by Teddy Soeriaatmadja are seen through dialogue between characters in each scene that are divided into three; (1) equilibrium/plenitude, (2) disruption, disequilibrium/disrupting force, and (3) opposing force. This research uses qualitative method by using approach of narrative analysis of model Tzvetan Todorov. The data used for this research is the film of Lovely Man by director Teddy Soeriaatmadja itself. This study uses data collection techniques with observation and literature study, as well as using data collection techniques with data reduction, interpretation, and conclusions. The results of this study indicate that there is a concept of heteronormative values reflected through heterosexuals who are considered to damage the stability of transvestite life, so that heterosexuals are considered as 'the other' heteronormative. Keywords: Film, Lovely Man, Heteronormativity, Other.
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