Tania Intan, Vincentia Tri Handayani, Witakania Sundasari Som
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引用次数: 2
摘要
当少女文学和青少年文学的故事情节总是以女性角色为主时,都市文学则呈现出女性和男性的双重角色。然而,就像更多女性阅读和写作的流行小说一样,都市流行小说总是以女性为中心。因此,本研究旨在揭示Ilana Tan由“首尔的夏天”(2006),“巴黎的秋天”(2007),“东京的冬天”(2008)和“伦敦的春天”(2010)组成的“Tetralogi Empat Musim”都市流行音乐中的女性形象。资料收集采用笔记法,分析采用描述定性法。本研究的方法论和理论基础是女性主义文学批评。分析结果表明,在四联图中,(1)女性自我形象呈现为TWITS (thirty - 30s Teenage Women)特征,即单身、独立、有工作、年龄在24-30岁之间、美丽迷人、生活在城市地区、生活方式大都市、异性恋、具有“流浪儿”性格、有“弱点”。(2)女性的社会形象被描述为仍然是男权制度的客体,表现为由于爱情关系而对男性形象的依赖。
Citra Perempuan dalam Novel Metropop “Tetralogi Empat Musim” Karya Ilana Tan
When the storyline of chick lit and teen lit is always dominated by female figures, the metropop shows female and male figures. However, like popular novels that are more read and written by women, the metropop always presents issues that are centered on women. Therefore, this research was conducted with the aim of revealing the image of women in the ‘Tetralogi Empat Musim’ metropop by Ilana Tan consisting of ‘Summer in Seoul’ (2006), ‘Autumn in Paris’ (2007), ‘Winter in Tokyo’ (2008), and ‘Spring in London’ (2010). Data was collected by note-taking technique, and analyzed by descriptive-qualitative method. The methodological approach and the theoretical basis adopted for this research are feminist literary criticism. The results of the analyse indicate that in the tetralogy, (1) female self-image is displayed subject with TWITS (Teenage Women in Their 30s) characteristics, namely single, independent, working, aged between 24-30 years, beautiful and attractive, living in urban areas, lifestyle metropolis, heterosexual, and have character ‘The Waif’, and have 'weakness'. (2) The social image of women is described as being still the object of a patriarchal system in the form of dependence on male figures due to love relationships.