梵文文学中“卡”和“阿卡耶”的概念

Dr. VP Udaya Kumar
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摘要

就像摩诃伽维亚一样,都归在第二类之下。另一个划分原则是基于语言的形式,这是“听到的”,表明口头传统。根据它,诗歌分为三个主要组gadya(散文),padya(诗句)和misra(两者的混合物)。Padya在梵语中占主导地位,而gadya和misra只占一小部分。Gadya主要用于戏剧,评论和其他解释作品的写作。在卡塔斯和ākhyāyikas中,Gadya经常被用作叙述的媒介。讲故事的艺术可能始于史前时期,当时语言正在成为交流的媒介。口头流传的通俗故事与原始的叙事传统有关。吠陀文献中我们也可以看到许多ākhyānas或叙述शनुश्शेफोपाख्यानम्,नचिकेतोपाख्यानम्[3]等。Itihāsas和purānas都很好
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Concept of katha and akhyayika in sanskrit literature
like Mahakavyas are grouped under the second. Another principle of division is based on the form of language which is 'heard' indicating an oral tradition. According to it poetry is divided into three principal groups gadya (prose), padya (verse) and misra (the mixture of the two) . Padya is predominant in Sanskrit, while gadya and misra compositions form only a small portion. Gadya is employed chiefly in the writings of plays, commentaries and other works of interpretation. Gadya is used very much as a medium of narration in kathas and ākhyāyikas. The art of storytelling might have begun at a pre-historic time when language was emerging as the medium of communication. The popular tales which were transmitted orally are linked to the primitive narrative tradition. In Vedic literature also we can see many upākhyānas or narratives like शनुश्शेफोपाख्यानम ् , नचिकेतोपाख्यानम ् [3] etc. The Itihāsas and purānas are well
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