美国青年之声

V. DiGirolamo
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引用次数: 0

摘要

报童以其独特的衣着、言语和风格,形成了美国早期最引人注目的青年亚文化之一。他们主要是爱尔兰人,他们也以打架、赌博和完美的戏剧观众而闻名。那个时代最杰出的艺术家、作家和表演者把他们变成了青年美国本身的象征,并把他们吸引到促进禁酒、本土主义、向西扩张和与墨西哥战争的运动中。与那个时代的任何其他人格化事物相比,报童更能代表一个由开放的市场经济驱动的民主社会的解放潜力。然而,它们也体现了大众政治的欺骗,以及伪装成对更大利益的关心的自我利益的虚假。他们尖利的叫声和无礼的举止,让长辈们时而恼火,时而开心,但这些不可救药的习惯也帮助他们度过了艰难的街头生活。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Voice of Young America
With their distinctive dress, speech, and style, newsboys formed one the most conspicuous youth subcultures in early America. Predominately Irish, they also earned reputations as brawlers, gamblers, and consummate theatergoers. The era’s most prominent artists, writers, and performers transformed them into symbols of Young America itself and drew them into campaigns to promote temperance, nativism, westward expansion, and war with Mexico. More than any other personification of the age, newsboys represented the liberating potential of a democratic society driven by a wide-open market economy. Yet they also epitomized the bamboozlement of mass politics and the sham of self-interest masquerading as concern for the greater good. Their shrill cries and saucy ways alternately annoyed and amused their elders, but these incorrigible habits also helped them to survive the hardships of street life.
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