福音歌曲与城市复兴运动

Kevin Mungons, Douglas Yeo
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引用次数: 0

摘要

比利·Sunday和Homer Rodeheaver推动了会幕复兴运动在全国范围内的突出地位,这一运动在第一次世界大战之前达到顶峰。除了在会幕服务中领导公共歌唱之外,Rodeheaver还组织了复兴合唱团,制作了福音赞美诗,并塑造了教会音乐的进程。虽然他的音乐风格受到杂耍和新兴流行音乐的影响,但罗德海弗否认他的福音歌曲受到拉格泰姆和爵士的影响。虽然有时会受到福音派看门人的批评,但像“照亮你所在的角落”这样的歌曲为罗德海弗的个人人气和商业成功做出了贡献。在讨论了罗德海弗的名人地位和他与女性之间有争议的关系之后,作者展示了他如何在神龛复兴时代结束时巧妙地调整了自己的商业模式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Gospel Songs and Urban Revivalism
Billy Sunday and Homer Rodeheaver propelled tabernacle revivalism into national prominence, a movement that peaked just before World War I. In addition to leading the communal singing at tabernacle services, Rodeheaver organized revival choirs, produced gospel hymnals, and shaped the course of church music. Though his approach was influenced by vaudeville and emerging popular music, Rodeheaver denied that his gospel songs were influenced by ragtime and jazz. Though sometimes criticized by evangelical gatekeepers, songs like “Brighten the Corner Where You Are” contributed to Rodeheaver’s personal popularity and business success. After discussing Rodeheaver’s celebrity status and his controversial relationships with women, the authors show how he adroitly adjusted his business model as the tabernacle revival era ended.
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