拉什迪的《小丑沙利玛》——对过去印度的后殖民再现

Dr.G. Karthigaiselvi
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引用次数: 0

摘要

萨尔曼·拉什迪是英国文学史上最重要的后殖民作家之一。通过他的文学贡献,他开创了后殖民文学的新时代。拉什迪是一位世界知名的小说家,他杰出的作品在他辉煌的职业生涯中为他赢得了赞誉、刺激和争议。包括Amitav Ghose和Rohinton Mistry在内的几位印度作家都深受他无可置疑的创造力的影响。作为世界上最具争议性和挑衅性的当代小说家之一,萨尔曼·拉什迪脱颖而出。后殖民和后现代作家,如加布里埃尔·加西亚Márquez, g nther Grass,米兰·昆德拉和豪尔赫·路易斯·博尔赫斯被认为是他在20世纪80年代和90年代的同时代人。拉什迪的作品运用了寓言、多元文化主义、魔幻现实主义等后殖民手法,在后殖民语境中创造了对殖民形势的另类看法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Rushdie’s Shalimar the Clown a Postcolonial Representation of the Past India
Salman Rushdie is one of the most important postcolonial writers in English literature. Through his literary contributions, he ushers in a new era of postcolonial literature. Rushdie is a world-renowned novelist whose outstanding works have garnered him accolades, thrills, and controversy throughout his illustrious career. Several Indian authors, including Amitav Ghose and Rohinton Mistry, have been greatly influenced by his unquestionable creativity. As one of the world’s most controversial and provocative contemporary novelists, Salman Rushdie stands out. Postcolonial and postmodern writers like Gabriel Garca Márquez, Günther Grass, Milan Kundera, and Jorge Luis Borges were considered to be among his contemporaries during the 1980s and 1990s. Allegory, multiculturalism, magic realism and other postcolonial techniques are used in Rushdie’s works to create alternative views of the colonial situation in a postcolonial context.
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