Joanna Zaremba-Penk
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引用次数: 0

摘要

漫画是当代日本文化的迷人产物。它深深植根于传统,从艺术中推断,与文学联系在一起,成为想要探索顺序艺术成就的研究人员取之不尽的源泉。漫画的一切都很有趣,从艺术家本身开始,到从想法到效果的转变。创作漫画的日本艺术家从文学和世界艺术中汲取了很多灵感。很多都来自国内和世界各地的神话、传说、寓言和童话故事。它们可以在文本图层中找到,但主要是在图标图层中。其中可以区分三个主要群体:一个处理场景,第二个和第三个将专注于图像,而第三个将从特定主题或惯例中提供单个借用的插图。本文的目的是通过选定的例子来概述与日本漫画书有关的问题,包括:试图确定漫画的潜在受众,这些漫画是以童话为基础或仅使用童话主题,试图将艺术家的角色定义为现代寓言家,并指出最受欢迎的主题和呈现方法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Baśnie i bajki w japońskich komiksach
Manga is a fascinating product of contemporary Japanese culture. Strongly rooted in tradition, inferred from art, associated with literature, it has become an inexhaustible source for researchers who wants to explore the achievement of sequential art. Everything is interesting about manga, starting from the artists themselves, ending with the transition from idea to effect. Japanese artists creating comics draw a lot of inspiration from literature and world art. Much comes from myths, legends, fables and fairy tales, both domestic and from around the world. They can be found in the text layer, but mainly in the iconic layer. Among them three main groups can be distinguished: one dealing with the scenario, the second and third will focus on the image, while the third will provide a single borrowed illustration from a particular theme or in a convention. The aim of this paper is to outline the issues relating to Japanese comic books on selected examples, including: trying to determine the potential audience of manga, which were based or only used themes from fairytales, trying to define the role of the artist as a modern-day equivalent fabulist, and pointing out an indication of the most popular topics and methods of presentation.
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