电影音乐中的模块结构:同步问题的答案?

Bartlomiej P. Walus
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引用次数: 3

摘要

在电影音乐史的发展过程中,电影作曲家一直在寻求和创造解决配乐与电影结构的关系以及剪辑对音乐的调整的方法。针对这个问题,已经提出了许多解决方案,从选择不太精确的同步等简单的方法,到基于新音乐资源和技术的更复杂的方法。其中一个解决方案是应用模块化组件来构建灵活的音乐结构。本文概述了作曲家使用的模块化方法,并指出了模块化的潜在好处,这些好处不仅限于同步过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Modular Structures in Film Music: The Answer to Synchronization Problems?
Over the course of film music history film composers have been forced to seek and create ways of tackling the issue of mapping the musical score to the film structure and adjustments to the music as a consequence of editing. A number of solutions to this problem have been proposed, ranging from simple ones such as opting for less precise synchronization, to more sophisticated methods based on new musical resources and technology. One such solution has been the application of modular components for the construction of flexible musical structures. The present paper is an overview of selected modular approaches used by composers and indicates potential benefits of modularity that are not limited to the synchronization process.
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