《从我十二岁起》:《火与我同行》是一部创伤电影

Lindsay Hallam
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引用次数: 0

摘要

本章分析了大卫·林奇的《双峰:火与我同行》的第一幕,让我们深入了解帕尔默一家的动态。书中引用了劳拉意识到鲍勃真实身份的那个晚上的场景,这为帕默家的不正常状况提供了一个清晰的视角。它还讨论了家庭作为恐怖的场所,这是一种常见的类型比喻,家庭单位的崩溃是许多恐怖电影的中心,如罗斯玛丽的婴儿,万圣节和Poltergeist。这一章讲述了火与我同行如何呈现出俄狄浦斯轨迹的反转,并揭示了弗洛伊德将无意识的欲望理论化为性发展的驱动阶段。它提到了《火与我同行》是如何讲述家庭暴力和创伤的,跟随劳拉,她试图找到自己的路,并在她所忍受的持续虐待中工作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Since I was Twelve’: Fire Walk With Me as a Trauma Film
This chapter analyses the first scene of David Lynch's Twin Peaks: Fire Walk With Me that gives insight into the dynamic within the Palmer household. It cites the scene of the evening that Laura realises Bob's true identity, which provides a clear view of the dysfunctional situation in the Palmer home. It also discusses the home as a site of horror that is a common genre trope, with the breakdown of the family unit at the centre of many horror films, such as Rosemary's Baby, Halloween, and Poltergeist. The chapter talks about how Fire Walk With Me presents an inversion of the Oedipal trajectory and exposes unconscious desires which Freud theorised as driving stages of sexual development. It mentions how Fire Walk With Me provide a narrative of family violence and trauma, following Laura as she tries to navigate her way and work through the ongoing abuse that she endures.
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