{"title":"设计研究。建筑是一台时间机器","authors":"Jonathan Hill","doi":"10.14361/dak-2022-0316","DOIUrl":null,"url":null,"abstract":"Abstract Expanding ideas that I previously explored in » Design Research: The Next 500 Years« (Hill 2022), this article considers the contributions to temporal understanding of three analogies: architecture as a time machine, as a history, and as a fiction. Assembled from materials of all ages: from the newly formed, to those centuries or millions of years old, and incorporating varied rates of transformation and decay, a building is a time machine, transporting us to many times separately or simultaneously. Like a history, a design is a reinterpretation of the past in the present. Equally, a design is equivalent to a fiction, freely moving backward and forward in time and between types of time. In conclusion, I emphasize temporal understanding as a means by which to learn from the past, reassess the present, and speculate on future models of practice and discourse.","PeriodicalId":366028,"journal":{"name":"Dimensions. Journal of Architectural Knowledge","volume":"29 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"RESEARCH BY DESIGN. Architecture is a Time Machine\",\"authors\":\"Jonathan Hill\",\"doi\":\"10.14361/dak-2022-0316\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Expanding ideas that I previously explored in » Design Research: The Next 500 Years« (Hill 2022), this article considers the contributions to temporal understanding of three analogies: architecture as a time machine, as a history, and as a fiction. Assembled from materials of all ages: from the newly formed, to those centuries or millions of years old, and incorporating varied rates of transformation and decay, a building is a time machine, transporting us to many times separately or simultaneously. Like a history, a design is a reinterpretation of the past in the present. Equally, a design is equivalent to a fiction, freely moving backward and forward in time and between types of time. In conclusion, I emphasize temporal understanding as a means by which to learn from the past, reassess the present, and speculate on future models of practice and discourse.\",\"PeriodicalId\":366028,\"journal\":{\"name\":\"Dimensions. Journal of Architectural Knowledge\",\"volume\":\"29 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dimensions. Journal of Architectural Knowledge\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14361/dak-2022-0316\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dimensions. Journal of Architectural Knowledge","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14361/dak-2022-0316","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
RESEARCH BY DESIGN. Architecture is a Time Machine
Abstract Expanding ideas that I previously explored in » Design Research: The Next 500 Years« (Hill 2022), this article considers the contributions to temporal understanding of three analogies: architecture as a time machine, as a history, and as a fiction. Assembled from materials of all ages: from the newly formed, to those centuries or millions of years old, and incorporating varied rates of transformation and decay, a building is a time machine, transporting us to many times separately or simultaneously. Like a history, a design is a reinterpretation of the past in the present. Equally, a design is equivalent to a fiction, freely moving backward and forward in time and between types of time. In conclusion, I emphasize temporal understanding as a means by which to learn from the past, reassess the present, and speculate on future models of practice and discourse.