{"title":"从卡洛·科洛迪的小说《木偶奇遇记》到阿列克谢·托尔斯泰和亚历山大·普图什科的电影《金钥匙》(1939):政治影射的问题","authors":"D. V. Koblenkova","doi":"10.37386/2305-4077-2022-1-110-122","DOIUrl":null,"url":null,"abstract":"The article analyzes the transformation of images in the fairy tale novel by C. Collodi “Pinocchio. The Story of a Wooden Doll” in the works of A. Tolstoy and in the film by A. Ptushko “The Golden Key” (1939). Possible reasons for the authors’ appeal to the European literary fairy tale and the methods of secondary conventionality in the context of political repressions of the 1930s are considered. The cinematography of this period, characterized by increased symbolization and work with archetypal structures, is viewed through the interaction of different trends in the the pre-war Soviet art: from modernism and neo-romanticism to socialist realism and Stalinist neoclassicism.","PeriodicalId":187515,"journal":{"name":"Culture and Text","volume":"229 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"FROM THE NOVEL “PINOCCHIO” BY CARLO COLLODI TO THE FILM “THE GOLDEN KEY” (1939) BY ALEXEY TOLSTOY AND ALEXANDER PTUSHKO: THE PROBLEM OF POLITICAL ALLUSIONS\",\"authors\":\"D. V. Koblenkova\",\"doi\":\"10.37386/2305-4077-2022-1-110-122\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article analyzes the transformation of images in the fairy tale novel by C. Collodi “Pinocchio. The Story of a Wooden Doll” in the works of A. Tolstoy and in the film by A. Ptushko “The Golden Key” (1939). Possible reasons for the authors’ appeal to the European literary fairy tale and the methods of secondary conventionality in the context of political repressions of the 1930s are considered. The cinematography of this period, characterized by increased symbolization and work with archetypal structures, is viewed through the interaction of different trends in the the pre-war Soviet art: from modernism and neo-romanticism to socialist realism and Stalinist neoclassicism.\",\"PeriodicalId\":187515,\"journal\":{\"name\":\"Culture and Text\",\"volume\":\"229 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Culture and Text\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37386/2305-4077-2022-1-110-122\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Culture and Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37386/2305-4077-2022-1-110-122","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
FROM THE NOVEL “PINOCCHIO” BY CARLO COLLODI TO THE FILM “THE GOLDEN KEY” (1939) BY ALEXEY TOLSTOY AND ALEXANDER PTUSHKO: THE PROBLEM OF POLITICAL ALLUSIONS
The article analyzes the transformation of images in the fairy tale novel by C. Collodi “Pinocchio. The Story of a Wooden Doll” in the works of A. Tolstoy and in the film by A. Ptushko “The Golden Key” (1939). Possible reasons for the authors’ appeal to the European literary fairy tale and the methods of secondary conventionality in the context of political repressions of the 1930s are considered. The cinematography of this period, characterized by increased symbolization and work with archetypal structures, is viewed through the interaction of different trends in the the pre-war Soviet art: from modernism and neo-romanticism to socialist realism and Stalinist neoclassicism.
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