比较语音学:从Lopes到Dalembert和Quaghebeur,再到Diane Meur作品中的r(o)ugissement

Bernadette Desorbay
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引用次数: 0

摘要

与他者相比,他们是什么(阳具欢欢)的羞耻创造了一种关系,导致行动主义和/或症状,在法语作家的几个角色之间,就像亨利·洛佩斯(刚果),路易·菲利普·达朗贝尔(海地)和黛安·穆尔(比利时)一样遥远。例如,混血儿、波多黎各人、犹太人的不舒服,马克·夸格贝尔(Marc Quaghebeur)从比利时说起,他认为这让他产生了一种“情结的享受”,向世界敞开了大门。在Diane Meur的作品中,道德债务或家庭秘密场合的脸红是深刻的本体论不稳定状态的结果。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hontologie comparée : de Lopes à Dalembert et Quaghebeur, au r(o)ugissement dans l’œuvre de Diane Meur
Abstract The shame of being what they are in comparison with the Other supposed to have it (phallic jouissance) creates a relationship, leading to activism and/or symptom, between several characters of French-speaking writers as remote in space as Henri Lopes (Congo), Louis-Philippe Dalembert (Haiti) and Diane Meur (Belgium). The discomfort of the half-blood, Puerto Rican, Jew, for instance, which, for his part and speaking from Belgium, Marc Quaghebeur considers as giving rise to an “enjoyment of the complex,” opening it up onto the world. In Diane Meur’s work, a moral debt or a family secret occasion blush as a consequence of a state of profound ontological instability.
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