死亡是激进的边界。关于Jan Čep的小说《影子的边界》

J. Gallik
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引用次数: 0

摘要

捷克天主教作家Jan Čep(1902-1974)属于将其作品建立在精神宗教主题上的作家群体。文学评论家František Xaver Šalda在Čep的小说《影子的边界》(1935)的书签中说他是一个“死亡诗人”,即“一个非常特别的,对生死事物有着非常特别的,不寻常的看法”。他的艺术作品的语言和意象是基于哲学反思和沉思抒情,往往与沉思重叠。我们认为双重家的意象是Čep诗学的关键意象之一。它的发展可以追溯到作者的少年散文作品到最近的文本,主要是散文。然而,除了这个形象之外,在Čep的作品中,对生与死现象的反思似乎也是主流,而这些实体显然与双重家园的形象有着非常密切的关系。在这种情况下,观察Čep唯一的小说《阴影的边界》中如何描绘死亡现象将是很重要的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Death as radical border. About Jan Čep’s novel The Border of a Shadow
The Czech Catholic writer Jan Čep (1902–1974) belonged to the group of authors who built their work on spiritual-religious motifs. Literary critic František Xaver Šalda stated in the bookmark of Čep’s novel The Border of a Shadow (1935) that he is a “poet of death”, namely “a very special, possessing a very special, unusual view of things of life and death”. The language and imagery of his artistic work are based on philosophical-reflexive and meditative lyricism, often with a contemplative overlap. We consider the image of a double home to be one of the key images of Čep’s poetics. Its development can be traced from the author’s juvenile prose work to the latest texts, which are mainly essay-like. In addition to this image, however, in Čep’s work, reflecting on the phenomenon of life and death also appears to be the mainstay, while it is obvious that these entities are very closely related to the image of a double home. In this context, it will be important to observe how the phenomenon of death is depicted in Čep’s only novel The Border of a Shadow.
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