作为形式综合的“新新闻”:与文学、小说宣传学和银幕纪录片的关系

M. Myasnikova, Y. Martsevich
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引用次数: 0

摘要

“新新闻学”现象是新闻学与文学交叉产生的一种创意的混合形式,我们不仅将其与广义的“事实文学”(非虚构)联系起来,而且将其与报纸杂志小说宣传和屏幕纪录片分开考虑,其中包括纪录片和纪录片,宣传和煽情的娱乐电视节目。以卡波特的小说《冷血》、国内法庭随笔、弗兰克的纪录片《最高法院》和《走进深渊》为素材,确立了语言和视听两种媒介叙事的异同和效果。赫尔佐格(W. Herzog)的《死亡的故事,生命的故事》(A Tale of Death, A Tale of Life),以及现代犯罪法律电视节目。特定的内容由特定的“真实犯罪”类型统一起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“New Journalism” as a Synthesis of Forms: Relationships With Literature, Fiction Publicistics and Screen Documentary
The phenomenon of “new journalism” is studied, which is a hybrid form of creativity that arose at the intersection of journalism and literature, and we consider it in connection with not only “literature of fact” in broad sense (non-fiction), but also separately with newspaper and magazine fiction publicistics and screen documentary, which includes documentary films and documentary and publicistic and sensational entertainment TV programs. Similarities, differences and effects of two types of media narrative — verbal and audiovisual — are established on the material of T. Capote’s novel “In Cold Blood”, domestic court essays, documentaries — “Supreme Court” of H. Franc and “Into the Abyss. A Tale of Death, a Tale of Life” of W. Herzog, as well as modern crime-law TV shows. The specified content is united by a specific genre of “true crime.”
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