以非洲为中心的数字部落主义:流媒体、纪录片和黑人角色

Diego Cotta
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引用次数: 0

摘要

这篇文章试图解释媒体环境对于黑同性恋者来说是一个可能的治愈空间,他们创作曲目并产生关于自己的其他意义。它旨在辩论黑人同性恋的调解日常生活,作为主角的争议和缓解种族主义和同性恋的想象。作为一篇散文,这部作品反映了三部传记纪录片(《alsamim de Preto, Viado》、《fronte》和《Bicha Preta》),可以在流媒体上观看。假设这些叙事和图像体现了抵抗行动的模式;数字起义,利用快速的媒体传播来影响心灵和思想,并打破排除可见性的政权。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Tribalismos digitais afrocentrados: Streamings, documentários e protagonismos de bichas pretas
: This article seeks to explain the media environment as a possible healing space for black fags, who create repertoires and produce other meanings about themselves. It aims to debate the mediatized daily life of black fags as a dispute for protagonism and mitigation of a racist and homophobic imaginary. Essay, the work reflects on three biographical documentaries (“Além de Preto, Viado”, “Afronte” and “Bicha Preta”), available in streaming. The hypothesis is that such narratives and images embody modes of resistance operations; digital uprisings, which use rapid media diffusion to affect hearts and minds and crack excluding regimes of visibility.
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