不成熟:对“酷儿青年大辩论”的反思

Derritt Mason
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引用次数: 0

摘要

这本书的结论重申了这样的观点:酷儿青少年是一种焦虑的类型,它永远在排练一种对自身体质的紧张不确定性。梅森退后一步,更广泛地考虑酷儿青少年文学与儿童文学的关系,通过贝弗利·里昂·克拉克(Beverley Lyon Clark)的《儿童文学》(Kiddie Lit)中提出的一个概念进入讨论:在儿童文学及其批评中循环的“不成熟的焦虑”。梅森重温了2014年的“青少年大辩论”,当时露丝·格雷厄姆在Slate上发表了一篇题为“成年人应该为阅读青少年书籍感到尴尬”的文章。这场辩论包括克里斯托弗·贝哈(Christopher Beha)和A.O.斯科特(A.O. Scott)在《纽约时报杂志》(New York Times Magazine)和《纽约客》(New Yorker)上发表的备受瞩目的文章,这两篇文章都表明,成年人是否应该阅读青少年文学,这是一种深刻的矛盾心理。梅森总结说,这些对话说明了青少年文学是如何不断成为成年人焦虑的来源。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Immaturity: Reflections on the “Great (Queer) YA Debate”
This book’s conclusion reiterates the argument that queer YA is an anxious genre that perpetually rehearses a nervous uncertainty about its own constitution. Mason steps back to consider queer YA’s relationship to children’s literature more broadly, entering the discussion through a concept developed in Beverley Lyon Clark’s Kiddie Lit: the “anxiety of immaturity” that circulates around and within children’s literature and its criticism. Mason revisits the “Great YA Debate” of 2014, which followed a Slate piece by Ruth Graham entitled “Adults Should Be Embarrassed to Read Young Adult Books.” This debate included high profile pieces by Christopher Beha and A.O. Scott in The New York Times Magazine and The New Yorker, both of which evince a profound ambivalence about whether or not adults should be reading young adult literature. These conversations, Mason concludes, illustrate how young adult literature continues to be an unceasing source of adult anxiety.
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