后殖民印度小说中的杂交性:焦点中的小说热与尘

Paulos Geremew
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引用次数: 0

摘要

在现代世界,特别是在后殖民研究领域,杂交性已经成为一个时尚和反复出现的主题。混杂性帮助我们阅读和审视后殖民文本,从而揭示了混杂、反抗模式和边缘化声音的问题。因此,本文试图通过对后殖民时期的印度英语小说《热与尘》的审视,来展现后殖民时期的混杂性。它使用了理论家的批判性论点和概念,主要是霍米·k·巴巴(Homi K. Bhabha),他在他的开创性作品《文化的位置》(1994)中阐述了他对杂交的看法。本研究采用描述-定性的方法,揭示了东西方在文化、语言和身份认同上的纠缠和混杂。《热与尘》探讨了后殖民主义的关键因素之一——杂交性,作者在整部小说中既明确又含蓄地阐述了殖民者与被殖民者、英国与印度这两种文化元素之间的跨文化主义、相互依存与共存。在这一分析中,我们发现小说中的人物,基本上是西方人物,作为小说的主要叙事,在身份、文化甚至观点上都发生了转变和变化。这一分析揭示了殖民者和被殖民者这两个实体是如何相互交织和相互依存的,而不是二元对立的概念,苛刻的范畴,并描绘了印度,既在其殖民和后殖民时期的家园,又对西方人陌生。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Hybridity in Postcolonial Indian Novel: The Novel Heat and Dust in Focus
Hybridity has become a fashionable and recurring theme in the modern world, particularly in the area of postcolonial studies. Hybridity help us reading and scrutinizing postcolonial texts, which thus reveals issues of intermixing, mode of resistance and voices of the marginalized. Accordingly, this paper tries to show hybridity in a postcolonial situation, by scrutinizing Heat and Dust, a postcolonial Indian novel in English. It has used the critical arguments and concepts of theorists, basically of Homi K. Bhabha, who expounds his ideas on hybridity in his seminal work, Location of Culture (1994). Applying descriptive-qualitative method, the study shows the contemporary world embraces East and West are inextricably intertwined and hybrid in their culture, language and identity. Heat and Dust explores hybridity, one of the key elements of postcolonialism, and throughout the novel the writer explicitly and implicitly expounds cross-culturalism, interdependency and coexistence between the two cultural elements, colonizer and colonized, Britain and India. In this analysis it is revealed that characters, basically western characters, as the major narrative of the novel is from this view, transform and change in terms of their identity, culture and even outlook. The analysis brings forth how the two entities, colonizer-colonized are intermingled and interdependent, instead of the notion of binary opposition, harsh category, and depicts India, both in its colonial and postcolonial period home as well as strange to westerners.
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