“我用这些碎片支撑着我的废墟”:《天使时代》和《一个字的孩子》中的诗歌、多样性和走向死亡的存在

F. Tomkinson
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摘要

在艾瑞斯·默多克的《天使时代》的开头,我们看到了帕蒂·奥德里斯科尔这个混血年轻女子,她的身份模棱两可,既是小说中反英雄人物卡瑞尔·费舍尔的仆人,也是他的前情人。卡瑞尔·费舍尔是一位失去信仰的牧师帕蒂被描述为喃喃自语“诗歌取代了祈祷,取代了她童年时代被击败的可怜的魔法”(《时代》第4期)。不久之后,我们得知她“喜欢类似于歌曲、符咒或童谣的诗歌,可以用音乐低声吟唱的片段....。对她来说,艺术世界仍然是碎片化的,一种变幻莫测的万花筒模式,几乎没有形式地积聚了美。”在默多克的《Word Child》中,叙述者希拉里·伯德(Hilary Burde)对诗歌也有类似的态度,她说:“我随身带着一些奇怪的文学作品,就像带着幸运符一样”(28)。在一个层面上,这种将诗歌简单地视为片段的欣赏可以从人物分析的角度来理解,这表明这两个人物在缺乏教育背景方面有一些相似之处,同时也与他们早期生活的碎片化产生了象征性的共鸣。帕蒂和希拉里虽然性格截然不同,但都有一种被排斥和被剥夺爱的感觉。他们也有一些共同的环境和特征:他们都是可能是妓女的女人的私生子,他们都不知道他们父亲的身份,他们都很年轻就失去了母亲,以至于他们不记得他们。两人都表现出不整洁和支离破碎的个人形象:希拉里喜欢穿奇怪的袜子,而帕蒂则喜欢在走路时丢鞋。默多克还邀请我们把这两个角色联系起来,告诉我们希拉里曾经认为自己是黑人:“因为我的头发,我在学校被称为‘黑鬼’,有一段时间我确实以某种奇怪的方式认为自己是黑人。一个男孩曾经告诉我,我的阴茎是黑色的,尽管有视觉证据,他还是让我相信了这一点。”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“These fragments I have shored against my ruins”: Poetry, Multiplicity, and Being-towards-Death in The Time of the Angels and A Word Child
At the beginning of Iris Murdoch’s The Time of the Angels, we are introduced to the character of Pattie O’Driscoll, a young woman of mixed race, living in an ambiguous position as the servant and ex-lover of the novel’s antihero, Carel Fischer, a priest who has lost his faith.1 Pattie is described as murmuring “the poetry which takes the place of the prayer which took the place of the poor defeated magic of her childhood” (Time 4). Shortly afterwards, we learn that she “liked poems that resembled songs or charms or nursery rhymes, fragments that could be musically murmured.... The world of art remained fragmented for her, a shifting kaleidoscopic pattern which amassed beauty almost without form” (22). In Murdoch’s A Word Child, the narrator, Hilary Burde, has a similar attitude to poetry, saying, “I carried a few odd pieces of literature like lucky charms” (28). On one level, this appreciation of poetry simply as fragment can be understood in terms of character analysis, suggesting some similarities in the inadequate educational background of the two characters, as well as having a symbolic resonance with the fragmentation of their early lives. Pattie and Hilary, though very different personalities, share a sense of exclusion and of being deprived of love. They also share a number of common circumstances and characteristics: both are the illegitimate children of women who were probably prostitutes, neither of them know the identity of their fathers, and both lost their mothers so young that they cannot really remember them. Both are presented as being of untidy and indeed fragmented personal appearance: Hilary’s propensity for odd socks matches Pattie’s tendency to lose her shoes as she walks around. Murdoch also invites us to link the two characters by telling us that Hilary once thought of himself as black: “Because of my hair I was called ‘Nigger’ at school and for a time I did in some curious way think of myself as being black. A boy once told me that I had a black penis and convinced me of it in spite of the visual evidence” (Word 27).
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