欢乐之书:

A. M. Wallace, J. Hernandez
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引用次数: 0

摘要

《欢乐之书》是一个展览,我们整理了一个兼收并蓄的图片、诗歌和采访记录,这些都是从我们对年轻的酷儿黑人女性的性行为和基于艺术的社区工作的研究中挑选出来的。我们从Zanele Muholi的实践和激情中得到启示,Zanele Muholi是南非约翰内斯堡的黑人酷儿艺术家和活动家,她创作了酷儿社区的肖像,我们有意偏离了我们的学术论文写作实践,以便在这本选集的更大框架内对黑人酷儿年轻女性的情色进行更直接的描述。尽管我们的参与者的工作是通过我们的收集、选择、框架和排序的过程来调解的,但我们,像Zanele一样,相信对黑人酷儿生活的创造性表达和记录是一种重要的政治。这个项目源于见证和消费黑人女性性行为的愿望,这是多样化的,充分的,全面的。在策划这次展览时,我们借鉴了我们的行动研究,旨在促进年轻黑人妇女和女孩在视觉文化、性、性和快乐方面的集体学习经验。当关于黑人酷儿年轻女性生活的讨论要么不存在,要么被骚扰、创伤、抑郁和暴力等压倒性的现实所淹没时,关注快乐就成了一个紧迫的项目。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Book of Joy:
The Book of Joy is an exhibition for which we have compiled an eclectic collection of images, poems, and interview transcripts culled from our research on queer young black women’s sexualities and arts-based community work. Taking our cue from the practice and passion of Zanele Muholi, a black queer South African artist and activist based in Johannesburg who generates portraits of queer communities, we purposefully stray from our scholarly essay writing practice here in order to situate an evocative and more direct accounting of black queer young women’s erotics within the larger framework of this anthology. Although the work of our participants is nevertheless mediated through our process of collection, selection, framing, and ordering, we, like Zanele, believe that the creative expression and documentation of queer black lives is a significant politic. This project stems from the desire to witness and consume representations of Black female sexuality that are diverse, full, and comprehensive. In curating this exhibition, we draw on our action research designed to facilitate collective learning experiences with young Black women and girls in regards to visual culture, sex, sexuality, and pleasure. When the discussion of black queer young women’s lives is either non-existent or saturated by the overwhelming realities of harassment, trauma, depression, and violence that can also mark them, a focus on pleasure becomes an urgent project.
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