哈迪的《王座》和《溪水》与格列齐奥的《战争》中的废墟意象比较研究

Iman Qasim Thiban
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引用次数: 0

摘要

我们的研究是为了揭示伊拉克文学是在特殊情况下与外国文学一起兴起的文学。采用比较研究的方法,我们选择突出两位杰出的作家,他们在文学世界中留下了自己的印记。第一位是伊拉克女性主义文学的代表人物伊拉克作家梅莎伦•哈迪,第二位是2008年获得诺贝尔文学奖的法国作家勒•克莱姆齐尤。通过研究,我们将看到两位作者是如何表达他们对现代性和都市主义的看法的。以及他们各自如何分别描绘了构成今天人类本质的心理和道德投射。在世界范围内,伊拉克的 - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -同样的,同样的,同样的,同样的,同样的,同样的,同样的,同样的,同样的,同样的,同样的,同样的。人的行为与人的行为是一样的。事实上,Maysaloon Hadi代表了伊拉克人的薪金和薪金,即薪金和薪金。Quant au deuxi, c'est Le glaczio, l' acrivain qui remte Le noble 2008。现在的情况是,所有的人都有自己的生活,所有的人都有自己的生活,所有的人都有自己的生活,所有的人都有自己的生活。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Images of ruin in "Throne" and " Water stream" by Maysaloon Hadi and "War" by Glezio: A Compartive Study
Our research comes to shed light on Iraqi literature as literature that arose in special circumstances alongside foreign literature. Using comparative research methods, we chose to highlight two distinguished writers, who have their mark in the world of literature. The first is the Iraqi writer Maysaloun Hadi, who is considered an icon of Iraqi feminist literature, and the second is the French writer Le Clézieu, who won the Nobel in 2008. We will see through the research how the two authors expressed their views of modernity and urbanism. And how each of them separately portrayed the psychological and moral projections that formed the essence of man today. Résumé Notre recherche abord un des points inconnus au monde entier, celui de la littérature irakienne. En utilisant les procédés de la littérature comparée, nous abordons les œuvres de deux écrivains brillants: Maysloon Hadi et J. M. G. Le Glézio. Les deux ont leur propre regard vis-à-vis la modernité et l'acte humain. De fait, Maysaloon Hadi représente l'icône de la littérature féminine irakienne. Quant au deuxième écrivain, c'est Le Glézio, l'écrivain qui remporte le noble en 2008. Nous allons découvrir ci-dessus les idées ainsi que les visions que les deux portent envers leur société.
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